Eight Views of the Xiao and Xiang Rivers

The Cleveland Museum of Art · Gift of Dr. and Mrs. Sherman E. Lee

Museum

Eight Views of the Xiao and Xiang Rivers

1700s

艺术家Watanabe Shikō (Japanese, 1683–1755)

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材料与技法: Six-panel folding screen; ink on paper
尺寸: Image: 150 x 356 cm (59 1/16 x 140 3/16 in.); Overall: 170 x 376 cm (66 15/16 x 148 1/16 in.)
分类: Painting
风格: ASIAN - Folding screen
来源: Japan, Edo period (1615–1868)
机构: The Cleveland Museum of Art
入账: Gift of Dr. and Mrs. Sherman E. Lee

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来源与流传记录

公开

?–1960

Dr. Sherman Emory Lee [1918–2008] and Ruth Ward Lee [1917–2011], Cleveland, OH, given to the Clevela...

1960–

The Cleveland Museum of Art, Cleveland, OH

来源传承文本

Dr. Sherman Emory Lee [1918–2008] and Ruth Ward Lee [1917–2011], Cleveland, OH, given to the Cleveland Museum of Art The Cleveland Museum of Art, Cleveland, OH

The Cleveland Museum of Art可信度 100%

展览

公开

Year in Review (1961)

Byobu: The Art of the Japanese Screen

Unfolding Beauty: Japanese Screens from the Cleveland Museum of Art

The Lure of Painted Poetry: Japanese and Korean Art

Japanese Screens from the Museum and Cleveland Collections

Suibokuga: Japanese Ink Painting

来源展览文本

Year in Review (1961). The Cleveland Museum of Art, Cleveland, OH (organizer) (November 1-26, 1961). Japanese Screens from the Museum and Cleveland Collections. The Cleveland Museum of Art, Cleveland, OH (organizer) (March 23-May 8, 1977). Byobu: The Art of the Japanese Screen. The Cleveland Museum of Art (organizer) (August 1-October 14, 1984). Suibokuga: Japanese Ink Painting. The Cleveland Museum of Art, Cleveland, OH (organizer) (October 1, 1985-February 24, 1986). Unfolding Beauty: Japanese Screens from the Cleveland Museum of Art. The Cleveland Museum of Art, Cleveland, OH (organizer) (July 15-September 16, 2001). The Lure of Painted Poetry: Japanese and Korean Art. The Cleveland Museum of Art, Cleveland, OH (organizer) (April 15-August 21, 2011).

The Cleveland Museum of Art可信度 100%

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有来源的概览佐证资料

Watanabe Shiko enjoyed a versatile and successful career, as well as a privileged upbringing, in Kyoto. His surviving work indicates a capacity to diligently study, master, and then interpret several painting techniques—each of which varies considerably in appearance. These <em>byobu</em> (folding screens), for instance, reflect training in the Kano school idiom that favored a monochromatic ink palette, vigorous brushwork, and traditional Chinese—rather than Japanese—subject matter. Shiko rendered this scenery in a particularly expansive manner, suggesting the vastness of China's topography relative to Japan's. Frequent visitors to the museum will recall that Shiko also painted the collection's favored pair of byobu, the <em>Irises</em> (<a href="http://cma.org/art/1954.603"><u>CMA 1954.603</u></a>).

The Cleveland Museum of Art可信度 100%

证据状态

观察到的销售: 0 · 可比销售: 0 · 来源与流传记录: 2 · 展览: 6.

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