可比销售
同一艺术家的公开销售，按媒介、创作年份、尺寸和销售新近程度排序。
没有具有公开使用权的可比销售符合当前证据标准。RELICT 不会用仅供研究或仅限许可访问的数据填充表格。
The Cleveland Museum of Art · Gift in honor of Madeline Neves Clapp; Gift of Mrs. Henry White Cannon by exchange; Bequest of Louise T. Cooper; Leonard C. Hanna Jr. Fund; From the Catherine and Ralph Benkaim Collection
Museum
An African Lyre Player (recto)
c. 1640–60
市场分析
实际销售事实、可比证据、艺术家指数历史与模型研究保持分开。
最后已知价格—0 matched observed sales
观察中位数—
观察到的销售0
艺术家指数—
此作品未关联权利获准的标准化实际销售记录，不显示虚构价格历史。
艺术家指数不可用没有已完成的公开艺术家指数计算。艺术家背景不等于作品估值。
按证据排序
来源与流传记录
公开未发布权利获准的来源证据。
展览
公开来源展览文本
Indian Gallery 242b Rotation – November 2016. The Cleveland Museum of Art (organizer) (November 7, 2016-April 10, 2017).
The Cleveland Museum of Art可信度 100%
相关公开作品
浏览目录 →目录相近作品
有来源的概览 佐证资料
The anonymity of the subject of this painting obscures whether this is a portrait of a historical person, or a generic depiction of a musician. The instrument in his hands is a bowl lyre, called a nanga, of the type from Nubia in northeastern Africa. Many Africans, mainly from Ethiopia, settled in the Deccan, on the western coast of southern India, where they found employment as soldiers, mercenaries, and administrators. While stereotypical associations of Africans with music and dance persist in this Deccani album page, the figure is well dressed and less caricatured than the painting from 100 years earlier of the dancing Zangi in the Tuti-nama (Tales of a Parrot).
The Cleveland Museum of Art可信度 100%
证据状态
观察到的销售: 0 · 可比销售: 0 · 来源与流传记录: 0 · 展览: 1.
Place Of OriginShort DescriptionExhibition HistoryCredit Line