可比销售
同一艺术家的公开销售，按媒介、创作年份、尺寸和销售新近程度排序。
没有具有公开使用权的可比销售符合当前证据标准。RELICT 不会用仅供研究或仅限许可访问的数据填充表格。
The Cleveland Museum of Art · Purchase from the J. H. Wade Fund
Museum
Album of Miscellaneous Subjects, Leaf 4
early 1650s
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实际销售事实、可比证据、艺术家指数历史与模型研究保持分开。
最后已知价格—0 matched observed sales
观察中位数—
观察到的销售0
艺术家指数—
此作品未关联权利获准的标准化实际销售记录，不显示虚构价格历史。
艺术家指数不可用没有已完成的公开艺术家指数计算。艺术家背景不等于作品估值。
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来源与流传记录
公开来源与流传记录
Tomioka Tessai 富岡鐵齋 [1836–1924]
?-1975
(Robert G. Sawers [b. c. 1934], London, sold to the Cleveland Museum of Art)
1975-
The Cleveland Museum of Art, Cleveland, OH
来源传承文本
Tomioka Tessai 富岡鐵齋 [1836–1924] (Robert G. Sawers [b. c. 1934], London, sold to the Cleveland Museum of Art) The Cleveland Museum of Art, Cleveland, OH
The Cleveland Museum of Art可信度 100%
展览
公开来源展览文本
Year in Review: 1975. The Cleveland Museum of Art, Cleveland, OH (organizer) (February 3-March 7, 1976). Eight Dynasties of Chinese Painting. The Nelson-Atkins Museum of Art (November 7, 1980-January 4, 1981); The Cleveland Museum of Art (February 10-March 29, 1981); Tokyo National Museum (October 4-November 17, 1982). Main Asian Rotation (Gallery 242). The Cleveland Museum of Art, Cleveland, OH (January 7-July 7, 2015).
The Cleveland Museum of Art可信度 100%
有来源的概览 佐证资料
The fourth painting by Fan Qi alludes to Wang Wei's poetic lines: <br>In empty hills, there is no one there; <br>Yet one can hear the sound of conversation. <br><br>The calligraphic colophon by Xu Fang adjacent to the painting reads: <br>By chance, I start my journey from the watershed to remote regions, <br>Suddenly I see the silhouette of mountains, myriad expanses of green. <br>What is this Feilai Peak which now does not recede? <br>Its rocky walls, linked to heaven, are drenched by a waterfall.
The Cleveland Museum of Art可信度 100%
证据状态
观察到的销售: 0 · 可比销售: 0 · 来源与流传记录: 3 · 展览: 1.
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