可比销售
同一艺术家的公开销售，按媒介、创作年份、尺寸和销售新近程度排序。
没有具有公开使用权的可比销售符合当前证据标准。RELICT 不会用仅供研究或仅限许可访问的数据填充表格。
The Cleveland Museum of Art · Bequest of William G. Mather
Museum
A Young Woman
1640
市场分析
实际销售事实、可比证据、艺术家指数历史与模型研究保持分开。
最后已知价格—0 matched observed sales
观察中位数—
观察到的销售0
艺术家指数—
此作品未关联权利获准的标准化实际销售记录，不显示虚构价格历史。
艺术家指数不可用没有已完成的公开艺术家指数计算。艺术家背景不等于作品估值。
按证据排序
来源与流传记录
公开来源与流传记录
Comte d’Oultremont, Brussels, 1842
来源与流传记录
[Henry Reinhardt, New York]
来源与流传记录
William G. Mather, Cleveland, 1912.
来源与流传记录
Bequest of William G. Mather, 1951.
来源传承文本
Comte d’Oultremont, Brussels, 1842 [Henry Reinhardt, New York] William G. Mather, Cleveland, 1912. Bequest of William G. Mather, 1951.
The Cleveland Museum of Art可信度 100%
展览
公开来源展览文本
Dutch Painting, The Golden Age. The Cleveland Museum of Art, Cleveland, OH (organizer) (January 5-February 27, 1955). Seventeenth Century Dutch Painting. The Cleveland Museum of Art (organizer) (February 18-June 8, 1959). Dutch Art and Life in the Seventeenth Century. The Cleveland Museum of Art, Cleveland, OH (July 10-September 2, 1973). Exposition Nèerlandaise de Beaux-Arts. Brussels, Belgium (1882).
The Cleveland Museum of Art可信度 100%
有来源的概览 佐证资料
This painting may depict a specific person as in a traditional portrait. The less formal costume and the tight focus on the head, however, may mean that it is a <em>tronie</em>, a popular category of painting among Dutch painters in the 1600s. While painted from living models, tronies represent more general types of people, designed as beautiful images rather than accurate likenesses of people known to their patrons.
The Cleveland Museum of Art可信度 100%
证据状态
观察到的销售: 0 · 可比销售: 0 · 来源与流传记录: 4 · 展览: 3.
Place Of OriginShort DescriptionProvenance TextExhibition HistoryCredit Line