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Публічні продажі цього самого художника, ранжовані за технікою, роком створення, розмірами й давністю продажу.
Robert Hoe III [1839-1909], New York, NY, after his death, held in trust by his estate1
(Hoe sale, American Art Association, New York, Feb. 15, 1911, to Arthur Hoe)
Arthur I. Hoe [1880-1956], Bedford Hills, NY 1
(Ehrich Galleries, New York) 1
Baron Michele Lazzaroni [1863-1934], Rome 1
(Guglielmo Canessa, Milan, Italy) 1
Private collection, Milan 1
Robert Hoe III [1839-1909], New York, NY, after his death, held in trust by his estate1 (Hoe sale, American Art Association, New York, Feb. 15, 1911, to Arthur Hoe) Arthur I. Hoe [1880-1956], Bedford Hills, NY 1 (Ehrich Galleries, New York) 1 Baron Michele Lazzaroni [1863-1934], Rome 1 (Guglielmo Canessa, Milan, Italy) 1 Private collection, Milan 1 (Iolanda d'Antoni, Lugano, Switzerland, sold to the Cleveland Museum of Art) The Cleveland Museum of Art, Cleveland, OH
Year in Review: 1970. The Cleveland Museum of Art, Cleveland, OH (organizer) (February 10-March 7, 1971). Florence and the Arts: Five Centuries of Patronage. The Cleveland Museum of Art, Cleveland, OH (organizer) (July 13-September 19, 1971). Filippino Lippi and Rome. The Cleveland Museum of Art, Cleveland, OH (organizer) (November 26, 2025-February 22, 2026). Possibly Expositions du Palais Bourbon, Paris, 1880s Cambridge, Mass., Fogg Art Museum, 1915: "Loan Exhibition of Italian Paintings."
Bishandas (Indian) · 1622
Horace Vernet (French, 1789–1863) · 1832
Filippino Lippi (Italian, c. 1457–1504) · 1488
Shi Rui (Chinese, c. 1400-c. 1470) · 1445
Frans Hals (Dutch, c. 1581–1666) · 1634
The perfectly round form, called a tondo, became popular during the 1440s, especially in Florence. Made for domestic settings instead of churches, the circular format challenged the artist to create a harmonious, balanced composition within this more difficult shape. The attribution has been a matter of debate. Botticelli often collaborated with students, including Filippino Lippi, who would himself become a significant painter. Few specialists have doubted that Botticelli executed the central passages: the delicate modeling of the faces, the graceful poses, the figures’ profound interiority, and the diaphanous veil are the artist’s hallmarks. However, someone else in Botticelli’s studio probably painted Mary’s blue garment, also the most heavily restored part of the painting.
Спостережувані продажі: 0 · Зіставні продажі: 0 · Походження: 9 · Виставки: 3.