Факти спостережуваних продажів, порівнювані докази, історія індексу художника й модельні дослідження залишаються окремими категоріями.
Публічні продажі цього самого художника, ранжовані за технікою, роком створення, розмірами й давністю продажу.
Hu Zhishou 胡之壽 [late 18th–mid 19th century]
Binliang 斌良 [1784–1847]
Hou Shigong 侯士恭 [late 19th–early 20th century]
Richard B. Hobart [1885-1963], Cambridge, MA. Owner of four leaves B = 2, E = 5, F = 6, J = 10.
(Walter Hochstadter [1914–2007], New York, NY, sold to the Cleveland Museum of Art)
The Cleveland Museum of Art, Cleveland, OH
Hu Zhishou 胡之壽 [late 18th–mid 19th century] Binliang 斌良 [1784–1847] Hou Shigong 侯士恭 [late 19th–early 20th century] Richard B. Hobart [1885-1963], Cambridge, MA. Owner of four leaves B = 2, E = 5, F = 6, J = 10. (Walter Hochstadter [1914–2007], New York, NY, sold to the Cleveland Museum of Art) The Cleveland Museum of Art, Cleveland, OH
Year in Review (1964). The Cleveland Museum of Art, Cleveland, OH (organizer) (December 8, 1964-January 31, 1965). The Colors of Ink. Asia House Galleries (January 10-March 3, 1974); The Cleveland Museum of Art, Cleveland, OH (organizer) (April 9-May 12, 1974). Eight Dynasties of Chinese Painting. The Cleveland Museum of Art (February 11-March 29, 1981). Visions of Landscape: East and West. The Cleveland Museum of Art, Cleveland, OH (organizer) (February 17-March 21, 1982). Asian Autumn: Masterpieces from the Collection. The Cleveland Museum of Art, Cleveland, OH (organizer) (September 17, 1991-January 5, 1992). Eight Dynasties of Chinese Painting. The Nelson-Atkins Museum of Art (November 7, 1980-January 4, 1981); The Cleveland Museum of Art (February 10-March 29, 1981); Tokyo National Museum (October 4-November 17, 1982). Masterpieces of Chinese Painting 700 - 1900. Victoria and Albert Museum, London, United Kingdom of Great Britain and Northern Ireland (organizer) (October 26, 2013-January 19, 2014). (1964.371.7 only)
<em>Views of Tiger Hill</em> depicts a historic site a few miles northwest of Suzhou. The scenes simulate a visit from arriving by boat at the foot of the mountain to climbing to Cloudy Cliff Monastery. Representations of the artist’s mature style, Shen Zhou included views in subtle colors in the suite of monochrome scenes. <br><br>A Suzhou native, Shen Zhou was supported by family wealth and rejected an official career in favor of life as a retired scholar. Turning to painting in midlife, he is regarded as the founder of the Wu School of painting, with its center in Suzhou.
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