Факти спостережуваних продажів, порівнювані докази, історія індексу художника й модельні дослідження залишаються окремими категоріями.
Публічні продажі цього самого художника, ранжовані за технікою, роком створення, розмірами й давністю продажу.
Reverend Thomas Collyer of Gislingham, near Eye, Suffolk (sale: Christie's, London, July 26,1890, no...
Lord Bateman, Kelmarsh Hall, Northamptonshire (sale: Christie's, London, April 11, 1896, no. 115); [...
R. Hall McCormick, Chicago;
[Blakeslee Galleries, New York, 1900];
Mr. and Mrs. Jeptha H. Wade, Cleveland. Gift of Mr. and Mrs. J.H. Wade, 1916.
Reverend Thomas Collyer of Gislingham, near Eye, Suffolk (sale: Christie's, London, July 26,1890, no. 181, to Smith); Lord Bateman, Kelmarsh Hall, Northamptonshire (sale: Christie's, London, April 11, 1896, no. 115); [Blakeslee Galleries, New York]; R. Hall McCormick, Chicago; [Blakeslee Galleries, New York, 1900]; Mr. and Mrs. Jeptha H. Wade, Cleveland. Gift of Mr. and Mrs. J.H. Wade, 1916.
The Silver Jubilee Exhibition. The Cleveland Museum of Art, Cleveland, OH (organizer) (June 23-September 28, 1941). The New Child: British Art and the Origins of Modern Childhood 1730-1830. Berkeley Art Museum and Pacific Film Archive (organizer) (August 23-November 19, 1995); Dixon Gallery and Gardens, Memphis, TN (December 10, 1995-February 4, 1996); Joslyn Art Museum (March 9-May 5, 1996). Pittsburgh, Carnegie Institute, 1898: "Collection of Pictures Principally of the English School Loaned to the Carnegie Institute by R. Hall McCormick, Esq., Chicago, cat. no. 36, p. 25. Cleveland (1913), "Cleveland Art Loan Exhibition," Held in the Kinney & Levan Building, cat. no. 133b. William Rockhill Nelson Gallery, Kansas City, Missouri, 1937: Survey of English Painting (no catalogue)
John Opie's working-class roots made him sympathetic to the plight of the laborer. This painting demonstrates his interest in an honest portrayal of British street life, a sympathy rarely seen in the work of other British artists of his generation, who often presented lower classes more coldly. Much of Britain's population at this time was poor, but beggars and street vendors had a particularly low status. Street singers were often sellers of goods. By focusing the composition tightly on the woman and not including any wares, Opie makes the viewer recognize her humanity; moreover, he emphasizes the connection between mother and child. The singer is working to feed her baby, evoking sympathy from the viewer.
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