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Публічні продажі цього самого художника, ранжовані за технікою, роком створення, розмірами й давністю продажу.
Ma Chi-tso [1900s]
(Walter Hochstadter [1914–2007], New York, NY, sold to the Cleveland Museum of Art)
The Cleveland Museum of Art, Cleveland, OH
Ma Chi-tso [1900s] (Walter Hochstadter [1914–2007], New York, NY, sold to the Cleveland Museum of Art) The Cleveland Museum of Art, Cleveland, OH
Chinese Landscape Painting. The Cleveland Museum of Art, Cleveland, OH (organizer) (November 5-December 26, 1954). 1000 Jahre Chinesische Malerei. Haus der Kunst, Munich, Mùnich, Germany (organizer) (October 16-December 13, 1959). Eight Dynasties of Chinese Painting. The Nelson-Atkins Museum of Art (November 7, 1980-January 4, 1981); The Cleveland Museum of Art (February 10-March 29, 1981); Tokyo National Museum (October 4-November 17, 1982). Main Asian Rotation (Gallery 119). The Cleveland Museum of Art, Cleveland, OH (May 14-July 12, 1999). Main Asian Rotation (Gallery 119). The Cleveland Museum of Art, Cleveland, OH (March 20-June 27, 2001).
Diego Velázquez (Spanish, 1599–1660) · 1631
Simon Vouet (French, 1590–1649) · 1625
Dharam Das (Indian, active c. 1580–1605) · 1600
Lorenzo da Sanseverino (Italian, 1468–1500) · 1490
Aniko (Nepalese, active in Tibet mid- to late 1200s) · 1250
Wu Li, a native of Jiangsu province, was a talented painter, poet, and calligrapher. He studied painting with Wang Jian (1598–1677) and Wang Shimin (1592–1680), two of the “Four Wangs,” leaders of the Orthodox school of painting in the early Qing period. Through them, he also absorbed styles of earlier Ming dynasty masters.<br><br>Wu was highly praised by his contemporaries and his paintings were in demand, but his interest in philosophy and religion curtailed his painting activities later in life. Wu Li converted to Christianity and in 1688 was ordained as one of the first 3 Chinese Jesuit priests. He spent the final 30 years of his life primarily in missionary work with the poor.<br><br>Although this painting is undated, the sooty blackness of the ink tones and the easy self-confidence with which they are set down on paper echo recognized late works.
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