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Commissioned by Giovanni di Cosimo de' Medici, Florence, as a gift for King Alfonso V of Aragon (Alf...
Collection of King Alfonso V of Aragon (Alfonso I of Naples), Naples
Collection of Countess Sara Pacheco, Madrid
Purchased by Sir John Charles Robinson, Madrid, for Sir Fancis Cook, Soughty House, Richmond, Surrey
By descent to Sir Frederick Cook, Sir Herbert Cook, and their heirs
Rosenberg & Stiebel Inc., New York
The Cleveland Museum of Art
Commissioned by Giovanni di Cosimo de' Medici, Florence, as a gift for King Alfonso V of Aragon (Alfonso I of Naples) Collection of King Alfonso V of Aragon (Alfonso I of Naples), Naples Collection of Countess Sara Pacheco, Madrid Purchased by Sir John Charles Robinson, Madrid, for Sir Fancis Cook, Soughty House, Richmond, Surrey By descent to Sir Frederick Cook, Sir Herbert Cook, and their heirs Rosenberg & Stiebel Inc., New York The Cleveland Museum of Art
Year in Review (1964). The Cleveland Museum of Art, Cleveland, OH (organizer) (December 8, 1964-January 31, 1965). Florence and the Arts: Five Centuries of Patronage. The Cleveland Museum of Art, Cleveland, OH (organizer) (July 13-September 19, 1971). Masterpieces of European Painting from The Cleveland Museum of Art. Frick Collection, New York, NY (organizer) (November 8, 2006-January 28, 2007). Masterpieces of European Painting from the Cleveland Museum of Art. Maltz Museum of Jewish Heritage, Beachwood, OH (March 29-July 8, 2007). "Masterpieces of European Painting from The Cleveland Museum of Art": The Frick Collection (11/8/2006 - 1/28/2007), exh. cat. no. 1, p. 20-23. Maltz Museum of Jewish Heritage (March 29, 2007 - July 8, 2007): "Masterpieces of European Painting from the Cleveland Museum of Art"
These panels depicting Saints Anthony the Abbot and Michael originally flanked a central scene of the Madonna and Child with Angels, now lost, to form a triptych. Giovanni di Cosimo de’Medici of Florence commissioned the ensemble in 1457 as a gift to Alfonso V of Aragon. Fra Filippo Lippi, a Carmelite friar and one of the great masters of early Renaissance Florence, depicted realistic, weighty figures in a three-dimensional space using a system of linear perspective, inspired partly by Masaccio’s Brancacci Chapel, and reflected in the background architecture. Saint Anthony the Abbot rejected all earthly possessions in pursuit of a contemplative life in the desert. He is generally regarded as the founder of monasticism and is depicted wearing a monk’s habit. Saint Michael’s sword and shield refer to his role as heaven’s defender against evil.
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