Зіставні продажі
Публічні продажі цього самого художника, ранжовані за технікою, роком створення, розмірами й давністю продажу.
Факти спостережуваних продажів, порівнювані докази, історія індексу художника й модельні дослідження залишаються окремими категоріями.
Публічні продажі цього самого художника, ранжовані за технікою, роком створення, розмірами й давністю продажу.
Chester Guild Cutter (1852–1917), Nyack, NY, purchased from the artist
Frank E. Marshall (1857–1915), Philadelphia, PA
[Vose Gallery, Boston, MA]
The Cleveland Museum of Art, Cleveland, OH, purchased in 1922
Chester Guild Cutter (1852–1917), Nyack, NY, purchased from the artist Frank E. Marshall (1857–1915), Philadelphia, PA [Vose Gallery, Boston, MA] The Cleveland Museum of Art, Cleveland, OH, purchased in 1922
The Artist in the American West, 1800-1900. Santa Fe Musuem of Art (co-organizer). Inaugural Exhibition. The Cleveland Museum of Art, Cleveland, OH (organizer) (co-organizer) (June 6-September 20, 1916). The World of the Romantic Artist: A Survey of American Culture from 1800-1875. The Detroit Institute of Arts, Detroit, MI (organizer) (co-organizer) (December 28, 1944-January 28, 1945). The Hudson River School and the Early American Landscape Tradition. The Art Institute of Chicago, Chicago, IL (organizer) (co-organizer) (February 15-March 25, 1945); Whitney Museum of American Art, New York, NY (April 17-May 18, 1945). American Artists Discover America. Allen Memorial Art Museum, Oberlin, OH (organizer) (co-organizer) (February 2-25, 1946). A Retrospective Exhibition: Albert Bierstadt 1830-1902. Santa Barbara Museum of Art (organizer) (August 5-September 13, 1964). The Mythology of the American West. Musée des Beaux-Arts de Rouen, Rouen, France (organizer) (September 28, 2007-January 7, 2008); Musée des Beaux-Arts de Rennes, Rennes, France (February 18-May 18, 2008). Cleveland, The Cleveland Museum of Art, Catalogue of The Inaugural Exhibition (6 June-20 September 1916), cat. no. 2 as Starr King Mountain, California. Detroit, The Detroit Institute of Arts, The World of the Romantic Artist: A Survey of American Culture from 1800-1875 (28 December 1944-28 January 1945), cat. no. 45, p. 29 as Starr King Mountain, California. Chicago, The Art Institute of Chicago, The Hudson River School and the Early American Landscape Tradition (15 February-25 March 1945); traveled to New York, Whitney Museum of American Art (17 April-18 May 1945); cat. no. 13 as Starr King Mountain, California, illus. p. 108. Oberlin, Ohio, Allen Memorial Art Museum, Oberlin College, American Artists Discover America (2-25 February 1946), cat. no. 4, illus. p. 12 as Starr King Mountain, California, catalogue appears in Bulletin of the Allen Memorial Art Museum (February 1946), vol. 3, no. 1. Santa Fe, Fine Arts Museum of New Mexico, The Artist in the American West, 1800-1900 cat. no. 2, illus. as Starr King Mountain, California. Santa Barbara, Santa Barbara Museum of Art, A Retrospective Exhibition: Albert Bierstadt 1830-1902 (5 August-13 September 1964), cat. no. 27, illus. as Starr King Mountain, California. Musée des Beaux-Arts, Rouen (9/.28/2007 - 1/7/2008) and Musée des Beaux-Arts, Rennes (2/18/2008 - 5/18/2008): "The Mythology of the American West"
During the summer of 1863, Bierstadt visited Yosemite Valley in California and made numerous sketches. Back in his New York studio, he used them to produce many majestic paintings, including this view of the distant granite peak Mount Starr King. Such scenes thrilled East Coast audiences and helped encourage early movements to safeguard natural wonders. In 1864, President Lincoln signed a bill preserving Yosemite as public property; it became a national park in 1890. <br><br>Bierstadt included two Native Americans with a packhorse in his composition, and their presence references the fact that Indigenous peoples had inhabited or seasonally visited the region for millennia. Over time, various government and military agencies dispossessed them of these ancestral lands. Although no longer residents in the national park, descendants of the seven Indigenous nations with ties to Yosemite persevered to live in neighboring areas.
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