Факти спостережуваних продажів, порівнювані докази, історія індексу художника й модельні дослідження залишаються окремими категоріями.
Публічні продажі цього самого художника, ранжовані за технікою, роком створення, розмірами й давністю продажу.
Richard B. Hobart [1885–1963], Cambridge, MA, sold to the Cleveland Museum of Art
The Cleveland Museum of Art, Cleveland, OH
Richard B. Hobart [1885–1963], Cambridge, MA, sold to the Cleveland Museum of Art The Cleveland Museum of Art, Cleveland, OH
1000 Jahre Chinesische Malerei. Haus der Kunst, Munich, Mùnich, Germany (organizer) (October 16-December 13, 1959). Year in Review - 1962. The Cleveland Museum of Art, Cleveland, OH (organizer) (October 24-November 25, 1962). Fantastics and Eccentrics in Chinese Painting. The Asia Society Museum, New York, NY (organizer) (March 23-May 28, 1967); Los Angeles County Museum of Art, Los Angeles, CA (June 20-August 13, 1967); Fine Arts Museums of San Francisco, de Young Museum, San Francisco, CA (September 15-November 5, 1967). The Colors of Ink. Asia House Galleries (January 10-March 3, 1974); The Cleveland Museum of Art, Cleveland, OH (organizer) (April 9-May 12, 1974). Chinese Landscape Painting. The Cleveland Museum of Art, Cleveland, OH (organizer) (November 5-December 26, 1954). Fifteen Chinese Paintings from the Cleveland Museum of Art. Smith College Museum, Northampton, MA (1964). Juxtapositions. The Cleveland Museum of Art (September 11-October 10, 1965). Fantastics and Eccentrics. Asia House Gallery, New York, NY, (March 23-May 28, 1967); Los Angeles County Museum of Art, CA (June 20-August 13, 1967); and M. H. De Young Memorial Museum, San Francisco, CA (September 15-November 5, 1967). Conference on Oriental-Western Literary and Cultural Relations. Indiana University, Bloomington, IN (1974). Eight Dynasties of Chinese Painting. The Nelson-Atkins Museum of Art (November 7, 1980-January 4, 1981); The Cleveland Museum of Art (February 10-March 29, 1981); Tokyo National Museum (October 4-November 17, 1982). Asian Autumn: Masterpieces from the Collection. The Cleveland Museum of Art, Cleveland, OH (organizer) (September 17, 1991-January 5, 1992).
This leaf presents a rising promontory in the near distance, whose base is hidden by a dense grove of barren, autumnal trees. A gentle incline emerges from the lower right, with a small path leading to its summit, where a gentleman is sheltered from the wind by two pines. This promontory resembles Guangming Ding 光明頂 (Summit of the Bright and Luminous), the second tallest peak in Huangshan 黃山 (Mt. Huang or Yellow Mountain), the scenic area that inspired much of Mei Qing’s artistic production. Instead of looking down on the “Sea of Clouds,” though, as one who scales Huangshan’s peak would, this gentleman is looking out at two boats on an actual sea.
Спостережувані продажі: 0 · Зіставні продажі: 0 · Походження: 2 · Виставки: 4.