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Публічні продажі цього самого художника, ранжовані за технікою, роком створення, розмірами й давністю продажу.
Cistercian Convent, Fröndenberg, Germany
Haindorf Collection, Münster, Germany
Loeb, Haus Caldenhof near Hamm, Germany
(Sale: Rudolph Lepke, Berlin, Germany, June 8, 1929, no. 2)
(A. S. Drey, Munich, Germany, sold to the Cleveland Museum of Art)
The Cleveland Museum of Art, Cleveland, OH
Cistercian Convent, Fröndenberg, Germany Haindorf Collection, Münster, Germany Loeb, Haus Caldenhof near Hamm, Germany (Sale: Rudolph Lepke, Berlin, Germany, June 8, 1929, no. 2) (A. S. Drey, Munich, Germany, sold to the Cleveland Museum of Art) The Cleveland Museum of Art, Cleveland, OH
The Twentieth Anniversary Exhibition: The Official Art Exhibit of the Great Lakes Exposition. The Cleveland Museum of Art, Cleveland, OH (organizer) (June 26-October 4, 1936). The Silver Jubilee Exhibition. The Cleveland Museum of Art, Cleveland, OH (organizer) (June 23-September 28, 1941). Gothic Art 1360-1440. The Cleveland Museum of Art, Cleveland, OH (organizer) (August 6-September 15, 1963). Austellung westfälischer Alterthümer und Kunsterzeutnisse, Collegium Ludgerianum, Münster Germany (June 1879). Art of the Middle Ages, 1000-1400, Museum of Fine Arts Boston, MA (February 17 to March 24, 1940). Conrad von Soest und Sein Kreis, Museum fur Kunst und Kulturgeschichte, Dortmund, Germany (July-September, 1950).
James Ensor (Belgian, 1860–1949) · 1885
John Singer Sargent (American, born Italy, 1856–1925) · 1898
Tommaso d’Antonio Manzuoli, called Maso da San Friano (Italian, 1531–1571) · 1550
Художник · 1336
Jacques-Louis David (French, 1748–1825) · 1817
This panel once formed the left wing of an altarpiece originally located in a Cistercian convent in the German town of Fröndenberg. The Coronation of the Virgin was a common subject; though it is not based on a biblical text it often appeared in medieval books of hours as a focus of contemplation. It represents the culminating event in the life of Mary. Here, Christ and the Virgin are housed in an architectural setting; the Virgin kneels before Christ as he crowns her in the company of a group of angels. The color palette is particularly rich: pink, deep red, blue, and a delicate green as well as large areas of gold leaf. The well-developed, proportional figures, modeled drapery, and detailed architectural throne suggest an artist with a high level of experience and sophistication.
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