Факти спостережуваних продажів, порівнювані докази, історія індексу художника й модельні дослідження залишаються окремими категоріями.
Публічні продажі цього самого художника, ранжовані за технікою, роком створення, розмірами й давністю продажу.
The Twentieth Anniversary Exhibition: The Official Art Exhibit of the Great Lakes Exposition. The Cleveland Museum of Art, Cleveland, OH (organizer) (June 26-October 4, 1936). Exhibition of the John L. Severance Collection. The Cleveland Museum of Art, Cleveland, OH (November 12, 1942-March 14, 1943). Dutch Painting, The Golden Age. The Cleveland Museum of Art, Cleveland, OH (organizer) (January 5-February 27, 1955). Dutch Art and Life in the Seventeenth Century. The Cleveland Museum of Art, Cleveland, OH (July 10-September 2, 1973). Object Lessons: Cleveland Creates an Art Museum. The Cleveland Museum of Art, Cleveland, OH (organizer) (June 7-September 8, 1991). Rembrandt Rembrandt. Kyoto National Museum, Kyoto, Japan (organizer) (November 3, 2002-January 13, 2003); Städel Museum, Franfurt am Main, Germany (January 31-May 11, 2003). Rembrandt in America. North Carolina Museum of Art, Raleigh, NC (organizer) (October 30, 2011-January 22, 2012); The Cleveland Museum of Art, Cleveland, OH (February 19-May 28, 2012); Minneapolis Institute of Art, Minneapolis, MN (June 24-September 16, 2012). Verein Ausstellung. Kaiser Friederich Museum, Berlin, Germany (1906). Rembrandt Exhibition. Kroller Müller Museum, Amsterdam, Netherlands (1913-1914). Loan Exhibition of Paintings by Rembrandt. Detroit Institute of Arts, Detroit, MI (1930).
This painting is an example of a<em> tronie</em>, a Dutch word meaning “head” or “facial expression.” Tronies were not intended to be identifiable portraits, but artistic investigations of facial appearance and fanciful costume. Particularly in the years around 1630, Rembrandt used this popular format to explore different lighting effects and facial expressions. Here, the strong contrast of light and shade shapes the contours of the young man’s face; unusual accessories such as the striped scarf and glittering pendant on a jeweled chain add an exotic touch. Although this painting bears Rembrandt’s monogram, the authorship is not certain. Some scholars have attributed it to Isaac de Joudreville (1613–1648), a pupil and associate of Rembrandt who painted comparable tronies in a similarly smooth and elegant style.
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