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Ming imperial collection [Jingtai era, 1450–1456]
(Shunichi Yabumoto Co., Ltd., Tokyo, Japan, sold to the Cleveland Museum of Art)
The Cleveland Museum of Art, Cleveland, OH
Ming imperial collection [Jingtai era, 1450–1456] (Shunichi Yabumoto Co., Ltd., Tokyo, Japan, sold to the Cleveland Museum of Art) The Cleveland Museum of Art, Cleveland, OH
Eight Dynasties of Chinese Painting. The Nelson-Atkins Museum of Art (November 7, 1980-January 4, 1981); The Cleveland Museum of Art (February 11-March 29, 1981); Tokyo National Museum (October 4-November 17, 1982); The Asia Society Museum, New York, NY (December 3, 1982-February 28, 1983). Latter Days of the Law: Images of Chinese Buddhism 850-1850. Spencer Museum of Art (August 9-October 31, 1994); Asian Art Museum of San Francisco (November 30, 1994-January 29, 1995). Taming Tigers and Releasing Dragons: Masterpieces of Chinese Buddhist Art – Chinese Gallery Rotation 240a, 241c. The Cleveland Museum of Art (organizer) (February 8-August 11, 2019). Monk Artisans of the Joseon Dynasty. National Museum of Korea, Seoul, Korea (Republic of) (organizer) (December 6, 2021-March 6, 2022).

Du Jin (Chinese, 1446-c. 1519) · 1460

Kan Tenju (Japanese, 1727–1795) · 1767

Joseph Badger (American, born The Thirteen Colonies, 1708–1765) · 1753

William Blake (British, 1757–1827) · 1799

Yeoseol (Korean) · 1500
This painting represents bodhisattvas of the 10 stages of enlightenment undergoing the final processes toward Buddhahood. This and <a href="http://www.clevelandart.org/art/1973.70.2"><u>CMA 1973.70.2</u></a> form part of a set of scrolls that were used to perform the Water-Land (<em>shuilu</em>) ritual. The sinuous curves of scarf and drapery, the layering of garments, and the minute detail all reflect the opulent visual atmosphere that surrounded the Ming worshipper in temples and spirit halls throughout the country. <br><br>In the upper right corner of each painting is an imperial seal and an inscription in gold: <em>Donated on the third day of the eighth month in the fifth year of the Jingtai reign (1454) of the Great Ming</em>. Written in ink in the lower left corner is the record that they were made on imperial order, probably to present them to the Da Longfu monastery in Beijing.
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