Card Rack with a Jack of Hearts
The Cleveland Museum of Art · Purchase from the J. H. Wade Fund
Museum

Card Rack with a Jack of Hearts

c.1895
John F. Peto (American, 1854–1907) visual detail
ХудожникJohn F. Peto (American, 1854–1907)
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Рыночная аналитика

Факты наблюдаемых продаж, сопоставимые доказательства, история индекса художника и модельные исследования остаются отдельными категориями.

Публичные доказательства
Последняя известная цена—0 matched observed sales
Наблюдаемая медиана—
Наблюдаемые продажи0
Индекс художника—
К работе не привязана нормализованная наблюдаемая продажа с разрешёнными правами использования. Искусственная история цен не показывается.
Индекс художника недоступенЗавершённого публичного расчёта индекса художника нет.Сведения о художнике не являются оценкой стоимости произведения.

Сопоставимые продажи

Публичные продажи этого же художника, ранжированные по технике, году создания, размерам и давности продажи.

Ранжирование по доказательствам
Нет сопоставимых продаж с правом публичного использования, отвечающих текущим требованиям к доказательствам. RELICT не заполняет таблицу фактами только для исследований или только для лицензионного доступа.

Происхождение

Публичное
1973-

The Cleveland Museum of Art, Cleveland, Ohio

1972-1973

(Hirschl & Adler Galleries, New York, NY, sold to the Cleveland Museum of Art)

Probably 1965-1972

Alice Kaplan [1903-1995], New York, NY1

By 1965

(Kennedy Galleries, New York, NY, probably sold to Alice Kaplan)

By 1947 - by 1965

Howard Keyser III [1904-1980], Island Heights, NJ and Philadelphia, PA, consigned to the Kennedy Gal...

Исходный текст о провенансе

The Cleveland Museum of Art, Cleveland, Ohio (Hirschl & Adler Galleries, New York, NY, sold to the Cleveland Museum of Art) Alice Kaplan [1903-1995], New York, NY1 (Kennedy Galleries, New York, NY, probably sold to Alice Kaplan) Howard Keyser III [1904-1980], Island Heights, NJ and Philadelphia, PA, consigned to the Kennedy Galleries 1

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Выставки

Публичное
Исходный текст о выставках

Year in Review: 1973. The Cleveland Museum of Art, Cleveland, OH (organizer) (January 30-March 17, 1974). Heritage and Horizon: American Painting 1776 - 1976. Buffalo AKG Art Museum, Buffalo, NY (organizer) (March 7-April 11, 1976); The Detroit Institute of Arts, Detroit, MI (May 2-June 13, 1976); The Toledo Museum of Art, Toledo, OH (July 4-August 15, 1976); The Cleveland Museum of Art, Cleveland, OH (September 8-October 10, 1976). The Magic of Still Life. The Cleveland Museum of Art, Cleveland, OH (organizer) (November 4, 1986-February 1, 1987). Cleveland Collects American Art of the Gilded Age. The Cleveland Museum of Art, Cleveland, OH (organizer) (February 23-May 18, 2003). The Persistence of Geometry: Form, Content and Culture in the Collection of the Cleveland Museum of Art. Museum of Contemporary Art Cleveland (MOCA), Cleveland, OH (June 9-August 20, 2006). Northampton, Mass., Smith College Museum of Art, John F. Peto (1-24 March 1950); traveled to Brooklyn, The Brooklyn Museum of Art (11 April-21 May 1950); San Francisco, California Palace of the Legion of Honor (10 June-9 July 1950); cat. no. 36, not illus. New York, Hirschl & Adler Galleries Inc., Faces and Places: Changing Images of 19th Century America (5 December 1972-6 January 1973) Buffalo, Albright-Knox Art Gallery, Heritage and Horizon: American Painting, 1776-1976 (6 March-11 April 1976); Detroit, The Detroit Institute of Arts (5 May-13 June 1976); Toledo, The Toledo Museum of Art (4 July-15 August 1976); Cleveland, The Cleveland Museum of Art (8 September-10 October 1976), illus. cat. no. 24. Washington, D.C., National Gallery of Art, Important Information Inside: The Art of John F. Peto and the Idea of Still-Life Painting in Nineteenth-Century America (16 January-29 May 1983); traveled to Fort Worth, Amon Carter Museum (15 July-18 September 1983), cat. no. 189, illus. p. 201. Cleveland, The Cleveland Museum of Art Still-Life Paintings in Gallery 222 (1992?), pamphlet which seems to have accompanied a small show of still-lifes owned by the CMA; the 8/92 at the end of the pamphlet seems to indicate that is when this show took place, but this could not be confirmed.

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Связанные публичные работы

Визуально близкие работы

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Обзор по источникам Подтверждающие материалы

Like modern-day bulletin boards, card racks were used to gather newspaper clippings, scraps of paper, and other ephemera in one place. Although it is unclear if the items seen here carry symbolic meaning, they nevertheless demonstrate the human desire to collect and recollect. Their tattered state and frayed edges further evoke a sense of memory and nostalgia. The illusionistic quality of Peto’s pictures makes the objects appear to exist in real space. Even the cigarette butt perched at the bottom looks ready to be plucked from the painting’s frame.

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Статус доказательств

Наблюдаемые продажи: 0 · Сопоставимые продажи: 0 · Происхождение: 5 · Выставки: 5.

Place Of OriginShort DescriptionProvenance TextExhibition HistoryCredit Line