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(Eastern Fine Arts, New York, NY, sold to the Cleveland Museum of Art)
The Cleveland Museum of Art, Cleveland, OH
(Eastern Fine Arts, New York, NY, sold to the Cleveland Museum of Art) The Cleveland Museum of Art, Cleveland, OH
Year in Review for 1984. The Cleveland Museum of Art, Cleveland, OH (organizer) (April 3-May 5, 1985). Byobu: The Art of the Japanese Screen. The Cleveland Museum of Art, Cleveland, OH (organizer) (December 8, 1987-January 10, 1988). Autumn Grasses: Arts of the Momoyama Period (1573-1615). The Cleveland Museum of Art, Cleveland, OH (organizer) (October 4-December 11, 1988). Rimpa Painting. The Cleveland Museum of Art, Cleveland, OH (organizer) (September 19-December 17, 1989). The Triumph of Japanese Style: 16th Century Art in Japan. The Cleveland Museum of Art, Cleveland, OH (organizer) (October 19-December 1, 1991). Monet & Japan. National Gallery of Australia, Canberra ACT 2601, Australia (organizer) (March 10-June 11, 2001). Unfolding Beauty: Japanese Screens from the Cleveland Museum of Art. The Cleveland Museum of Art, Cleveland, OH (organizer) (July 15-September 16, 2001). Turning Point: Oribe and the Arts of Sixteenth-Century Japan. The Metropolitan Museum of Art, New York, NY (organizer) (October 21, 2003-January 11, 2004). Admired from Afar: Masterworks of Japanese Painting from the Cleveland Museum of Art. Tokyo National Museum, Tokyo, Japan (January 15-February 23, 2014); Kyushu National Museum, Fukuoka, Japan (July 8-August 31, 2014). Japanese Gallery 235 Rotation. The Cleveland Museum of Art (organizer) (January 7-July 8, 2019). Highlights of Japanese Art. The Cleveland Museum of Art, Cleveland, OH (organizer) (December 7, 2025-June 14, 2026).
<em>Susuki</em> grass has a seasonal association with autumn in the Japanese visual and literary tradition. It is one of the “Seven Flowers of Autumn,” along with bush clover, arrowroot, pink, <em>patrinia</em>, mistflower, and bellflower. This composition immerses the beholder in a field of grasses and golden bands of mist. The design may have served as a backdrop for poems brushed in ink on decorated papers and attached to the surface of the screens, a practice with a long tradition in Japan.
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