The Trinity

The Cleveland Museum of Art · Mr. and Mrs. William H. Marlatt Fund

Museum

The Trinity

c. 1460

艺术家Laurent Girardin (French, 1478)

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材料与技法: oil on wood
尺寸: Framed: 134.5 x 114.5 x 8 cm (52 15/16 x 45 1/16 x 3 1/8 in.); Unframed: 114 x 94.5 cm (44 7/8 x 37 3/16 in.)
分类: Painting
风格: MED - Medieval Art
来源: France, Lyon
机构: The Cleveland Museum of Art
入账: Mr. and Mrs. William H. Marlatt Fund

市场分析

实际销售事实、可比证据、艺术家指数历史与模型研究保持分开。

公开证据

最后已知价格—0 matched observed sales

观察中位数—

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艺术家指数不可用没有已完成的公开艺术家指数计算。艺术家背景不等于作品估值。

可比销售

同一艺术家的公开销售，按媒介、创作年份、尺寸和销售新近程度排序。

按证据排序

没有具有公开使用权的可比销售符合当前证据标准。RELICT 不会用仅供研究或仅限许可访问的数据填充表格。

来源与流传记录

公开

1897-1924

Camille Barrère (1851-1940), Rome, Italy, by descent to Mme. Albert Cousin

1924-

Mme. Albert Cousin (nee Barrère), by descent to Albert Cousin

来源与流传记录

Albert Cousin

-1960

(J. Seligmann & Co., New York, NY, sold to the Cleveland Museum of Art)

1960-

The Cleveland Museum of Art, Cleveland, OH

来源传承文本

Camille Barrère (1851-1940), Rome, Italy, by descent to Mme. Albert Cousin Mme. Albert Cousin (nee Barrère), by descent to Albert Cousin Albert Cousin (J. Seligmann & Co., New York, NY, sold to the Cleveland Museum of Art) The Cleveland Museum of Art, Cleveland, OH

The Cleveland Museum of Art可信度 100%

展览

公开

Year in Review - Nineteen Hundred Sixty

The Persistence of Geometry: Form, Content and Culture in the Collection of the Cleveland Museum of Art

Draped in Splendor: Renaissance Textiles and the Church

来源展览文本

Year in Review - Nineteen Hundred Sixty. The Cleveland Museum of Art, Cleveland, OH (organizer) (November 30, 1960-January 1, 1961). Draped in Splendor: Renaissance Textiles and the Church. The Cleveland Museum of Art, Cleveland, OH (organizer) (September 7, 2003-September 26, 2004). The Persistence of Geometry: Form, Content and Culture in the Collection of the Cleveland Museum of Art. Museum of Contemporary Art Cleveland (MOCA), Cleveland, OH (June 9-August 20, 2006).

The Cleveland Museum of Art可信度 100%

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有来源的概览佐证资料

Fundamental to Christian belief, the Holy Trinity refers to the three divine persons in God—God the Father, here depicted wearing a papal tiara, God the Son, crucified on the cross, and the Holy Spirit, represented as a dove. Juxtaposed with the Trinity's austere depiction are cherubim bathed in radiant red light, possibly influenced by stained glass windows that Girardin also designed in Lyon. God the Father wears a liturgical vestment, a sumptuous and bejeweled cope, or cape, fastened below the neck, typically worn by clergy for processional occasions. It is made of opulent crimson velvet with gold thread forming a large pomegranate pattern.

The Cleveland Museum of Art可信度 100%

证据状态

观察到的销售: 0 · 可比销售: 0 · 来源与流传记录: 5 · 展览: 3.

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