Portrait of Hugh Hope
The Cleveland Museum of Art · Gift in honor of Jane Taft Ingalls on the occasion of the Museum's Seventy-fifth Anniversary
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Portrait of Hugh Hope

c. 1810
Henry Raeburn (Scottish, 1756–1823) visual detail
艺术家Henry Raeburn (Scottish, 1756–1823)
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艺术作品销售日期拍卖行实际成交价(美元)匹配
Portrait of a Man with Gray Hair
1810 · Oil on canvas
1912-06-01—$14,875.0088%
Portrait of a Man with Gray Hair
1810 · Oil on canvas
1912-04-30—$1,389.0088%

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来源与流传记录

公开
来源与流传记录

the sitter (1782-1822)

来源与流传记录

by inheritance to Sir Alexander Hope, Pinkie House, Scotland (sale: Sotheby's, London, 16 May, 1928,...

来源与流传记录

I. D. Levy (1930)

来源与流传记录

(Knoedler)

1945

Jane Taft Ingalls [1874-1962], Cleveland, OH

1945-1985

David S. Ingalls, Sr. [1899-1985], Cleveland, OH

来源与流传记录

Francis W. Ingalls

来源传承文本

the sitter (1782-1822) by inheritance to Sir Alexander Hope, Pinkie House, Scotland (sale: Sotheby's, London, 16 May, 1928, Lot B) I. D. Levy (1930) (Knoedler) Jane Taft Ingalls [1874-1962], Cleveland, OH David S. Ingalls, Sr. [1899-1985], Cleveland, OH Francis W. Ingalls The Cleveland Museum of Art, Cleveland, OH

The Cleveland Museum of Art可信度 100%
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有来源的概览 佐证资料

Henry Raeburn created this likeness of fellow Edinburgh native Hugh Hope before Hope departed for India, where he worked as a civil servant for the renowned East India Company (a British joint-stock company founded in 1600 to trade in the Indian Ocean). This painting hung in the drawing room of Hope’s estate, Pinkie House in Scotland, until 1928. Although greatly influenced by his English predecessor Joshua Reynolds, Raeburn worked in a looser style, more like the work of his younger contemporary Thomas Lawrence. This portrait is painted directly on the canvas without any preliminary drawing, giving it an informal, spontaneous air.

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证据状态

观察到的销售: 0 · 可比销售: 2 · 来源与流传记录: 8 · 展览: 2.

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