实际销售事实、可比证据、艺术家指数历史与模型研究保持分开。
同一艺术家的公开销售，按媒介、创作年份、尺寸和销售新近程度排序。
| 艺术作品 | 销售日期 | 拍卖行 | 实际成交价（美元） | 匹配 |
|---|---|---|---|---|
| A Farm in the Sunlight 1668 · oil on canvas | 1924-12-15 | — | $108,813.93 | 80% |
| Village among Trees 1665 · Oil on oak panel | 1902-01-06 | — | $75,000.00 | 60% |
| Village with Water Mill among Trees Year n/a · oil paint, canvas | 1911-11-01 | — | $135,000.00 | 35% |
相似度分数是描述性证据排序，并非估值模型。每条记录均来自获准公开的市场数据范围。
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The enthusiastic sportsman in the bright red coat draws the eye and adds a narrative to the landscape: Has he interrupted his ride to take an opportune shot? Yet he wasn’t in the original painting. He was added later—by another painter, no less—between 1810 and 1828. An 1809 sale catalogue describes the painting without him: “The chef d’oeuvre of this celebrated painter, a beautiful landscape with a water mill—the figures and cattle are judiciously introduced, with appropriate spirit of pencil, by [Nicholas] Berchem.” In 1828, another estate-sale catalogue notes his appearance: “…in the foreground, on the right, a sportsman dressed in red is shooting at wild fowl….” It’s impossible to know why he was painted in. But sporting subjects were extremely popular in the early 1800s, particularly in England, and the painting’s owner may have requested the addition to increase demand (and therefore its price) at auction.
观察到的销售: 2 · 可比销售: 3 · 来源与流传记录: 1 · 展览: 0.
