可比销售
同一艺术家的公开销售，按媒介、创作年份、尺寸和销售新近程度排序。
没有具有公开使用权的可比销售符合当前证据标准。RELICT 不会用仅供研究或仅限许可访问的数据填充表格。
The Cleveland Museum of Art · John L. Severance Fund
Museum
The Doge's Palace, Venice
1826
市场分析
实际销售事实、可比证据、艺术家指数历史与模型研究保持分开。
最后已知价格—0 matched observed sales
观察中位数—
观察到的销售0
艺术家指数—
此作品未关联权利获准的标准化实际销售记录，不显示虚构价格历史。
艺术家指数不可用没有已完成的公开艺术家指数计算。艺术家背景不等于作品估值。
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来源与流传记录
公开possibly 1829
(Sotheby's London, United Kingdom, possibly Bonington Sale, June 29-30,1829, lot 215, sold to Glynn)...
possibly 1838
(Sotheby's, London, United Kingdom, February 10, 1838, possibly Mrs. Bonington, the artist's mother,...
possibly 1879
(Christie's, London, United Kingdom, possibly William Benoni sale, May 23, 1879, lot 86, sold to Per...
possibly 1888
(Christie's, London, United Kingdom, April 28, 1888, possibly W.A. Turner of Manchester sale, lot 10...
-1985
(Harari & Johns Ltd., London, United Kingdom, sold to the Cleveland Museum of Art)
1985-
The Cleveland Museum of Art, Cleveland, OH
来源传承文本
(Sotheby's London, United Kingdom, possibly Bonington Sale, June 29-30,1829, lot 215, sold to Glynn) . . . . (Sotheby's, London, United Kingdom, February 10, 1838, possibly Mrs. Bonington, the artist's mother, sale, lot 124, to Mawe, bought in). (Christie's, London, United Kingdom, possibly William Benoni sale, May 23, 1879, lot 86, sold to Permain. J. Hood (according to label on reverse). (Christie's, London, United Kingdom, April 28, 1888, possibly W.A. Turner of Manchester sale, lot 106, sold to Harari & Johns Ltd.) . (Harari & Johns Ltd., London, United Kingdom, sold to the Cleveland Museum of Art) The Cleveland Museum of Art, Cleveland, OH
The Cleveland Museum of Art可信度 100%
展览
公开来源展览文本
The Year in Review for 1985. The Cleveland Museum of Art, Cleveland, OH (organizer) (February 12-April 20, 1986). British Gallery Reinstallation (June 2020). The Cleveland Museum of Art (organizer).
The Cleveland Museum of Art可信度 100%
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有来源的概览 佐证资料
At the age of 22, Bonington achieved overnight success at the official (state sponsored) Paris exhibition known as Salon. Two years later, in 1826, he journeyed to Venice, a city that had long attracted landscape artists. At first, constant rain greatly depressed Bonington, but suddenly the weather changed and Venice was at its glorious best. Bonington frequently painted outdoors, capturing immediate impressions of Venetian architecture and sunlight. He made this particular study from a boat anchored in the lagoon near the Doge's Palace. The thick swirls of paint, with colors mixed together while still wet, indicates how rapidly the artist worked.
The Cleveland Museum of Art可信度 100%
证据状态
观察到的销售: 0 · 可比销售: 0 · 来源与流传记录: 6 · 展览: 2.
Place Of OriginShort DescriptionProvenance TextExhibition HistoryCredit Line