Saint Barbara

The Cleveland Museum of Art · Bequest of John L. Severance

Museum

Saint Barbara

c. 1520

艺术家Master of the Holy Blood (Netherlandish)

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材料与技法: tempera on wood panel
尺寸: Framed: 91 x 34.5 x 5.5 cm (35 13/16 x 13 9/16 x 2 3/16 in.); Unframed: 86.3 x 29.2 cm (34 x 11 1/2 in.)
分类: Painting
风格: MED - Renaissance
来源: Flanders, Bruges
机构: The Cleveland Museum of Art
入账: Bequest of John L. Severance

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同一艺术家的公开销售，按媒介、创作年份、尺寸和销售新近程度排序。

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来源与流传记录

公开

来源与流传记录

Claude Ashley Charles Ponsonby (1859-1935), London, England

March 28,1908

(Sale: Christie's, London, March 28,1908 to Mori)

来源与流传记录

James Hamet Dunn (1874-1956), St. Andrews, New Brunswick, Canada

来源与流传记录

[Bacri Brothers, Paris, France]

1936-1942

John L. Severance (1863-1936), Cleveland, OH, gifted to the Cleveland Museum of Art

1942-

The Cleveland Museum of Art, Cleveland, OH

来源传承文本

Claude Ashley Charles Ponsonby (1859-1935), London, England (Sale: Christie's, London, March 28,1908 to Mori) James Hamet Dunn (1874-1956), St. Andrews, New Brunswick, Canada [Bacri Brothers, Paris, France] John L. Severance (1863-1936), Cleveland, OH, gifted to the Cleveland Museum of Art The Cleveland Museum of Art, Cleveland, OH

The Cleveland Museum of Art可信度 100%

展览

公开

Exhibition of the John L. Severance Collection

来源展览文本

Exhibition of the John L. Severance Collection. The Cleveland Museum of Art, Cleveland, OH (November 12, 1942-March 14, 1943). Exhibition of Works by the Old Masters, and Deceased Masters of the British School including a Collection of Watercolors and Chalk Drawings, Royal Academy of Arts, Burlington House, London, England (January 7-March 16, 1907). Primitifs Flamands Anonymes, Groeningemuseum, Bruges, (June 14- Sept. 21, 1969). The Twentieth Anniversary Exhibition, The Cleveland Museum of Art Cleveland, OH (June 26-October 12, 1936).

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有来源的概览佐证资料

Saint Barbara holds both a book and a ring symbolizing her scholarly pursuits and union with God. According to legend, the leather thongs with which she was beaten were transformed into peacock plumes. This painting and one other in the collection (1942.633.1) were originally the wings of an altarpiece flanking a central panel, now lost, that may have depicted the Holy Family. The identity of this artist is unknown, but he is named for a painting in the Chapel of the Holy Blood in Bruges. <br><br>Bruges flourished as an international commercial center through the 1400s and early 1500s. Among its residents were many foreign merchants and bankers who, along with the Burgundian court, patronized artists and attracted specialized craftsmen such as furriers, hatters, jewelers, and goldsmiths. Bruges’s artistic production in the 1400s included celebrated artists like Jan van Eyck, Petrus Christus, Hans Memling, and Gerard David who painted large altarpieces, small panels for private devotion, and portraits. Bruges also remained an important center for the production of illuminated manuscripts.

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证据状态

观察到的销售: 0 · 可比销售: 0 · 来源与流传记录: 6 · 展览: 1.

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