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Hunting Scene
The Cleveland Museum of Art · Gift of Leighton R. and Rosemarie Longhi
Museum

Hunting Scene

1800s

市场分析

实际销售事实、可比证据、艺术家指数历史与模型研究保持分开。

公开证据
最后已知价格—0 matched observed sales
观察中位数—
观察到的销售0
艺术家指数—
此作品未关联权利获准的标准化实际销售记录,不显示虚构价格历史。
艺术家指数不可用没有已完成的公开艺术家指数计算。艺术家背景不等于作品估值。

可比销售

同一艺术家的公开销售,按媒介、创作年份、尺寸和销售新近程度排序。

按证据排序
没有具有公开使用权的可比销售符合当前证据标准。RELICT 不会用仅供研究或仅限许可访问的数据填充表格。

来源与流传记录

公开
?–1993

Leighton R. [1944–2024] and Rosemarie Longhi, New York, NY, given to the Cleveland Museum of Art

1993–

The Cleveland Museum of Art, Cleveland, OH

来源传承文本

Leighton R. [1944–2024] and Rosemarie Longhi, New York, NY, given to the Cleveland Museum of Art The Cleveland Museum of Art, Cleveland, OH

The Cleveland Museum of Art可信度 100%

展览

公开
来源展览文本

Provenance: Journeys of Korean Art. The Cleveland Museum of Art, Cleveland, OH (organizer) (May 10, 2026-April 25, 2027). National Museum of Korea, Seoul, South Korea (January 24-March 23, 2025).

The Cleveland Museum of Art可信度 100%
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有来源的概览 佐证资料

The theme of nomad warriors riding horses and hunting wild animals was first painted in the Qing imperial court in China in late 1600s. But it became favored by the Korean royal court and painted by the royal court painter in the late 1700s. The Joseon Korean ruling class members considered Qing nomad warriors to be "barbaric," yet highly admired their hunting and military skills. By the late 1800s, folding screens with the hunting scene were used largely for this dynamic and exotic feature.

The Cleveland Museum of Art可信度 100%

证据状态

观察到的销售: 0 · 可比销售: 0 · 来源与流传记录: 2 · 展览: 1.

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