Факти спостережуваних продажів, порівнювані докази, історія індексу художника й модельні дослідження залишаються окремими категоріями.
Публічні продажі цього самого художника, ранжовані за технікою, роком створення, розмірами й давністю продажу.
The Cleveland Museum of Art, Cleveland, Ohio.
(F. Kleinberger & Co., New York, sold to the Cleveland Museum of Art).
(Alessandro Morandotti, Zurich, sold to F. Kleinberger in 1960).
Private collection, Italy, probably consigned to Alessandro Morandotti.
The Cleveland Museum of Art, Cleveland, Ohio. (F. Kleinberger & Co., New York, sold to the Cleveland Museum of Art). (Alessandro Morandotti, Zurich, sold to F. Kleinberger in 1960). Private collection, Italy, probably consigned to Alessandro Morandotti.
Year in Review (1961). The Cleveland Museum of Art, Cleveland, OH (organizer) (November 1-26, 1961). El Greco to Goya, A Loan Exhibition of Spanish Paintings of the Seventeenth and Eighteenth Centuries. Indianapolis Museum of Art at Newfields, Indianapolis, IN (organizer) (February 10-March 24, 1963); Rhode Island School of Design, Providence, RI (February 10-March 24, 1963). 700 Years of Spanish Art. Cummer Museum of Art, Jacksonville, FL (organizer) (October 28-November 30, 1965). Baroque Imagery. The Cleveland Museum of Art, Cleveland, OH (organizer) (November 6, 1984-January 6, 1985). Caravaggio and His Followers, Cleveland Museum of Art, Cleveland, Ohio (October 29, 1971–January 2, 1972). Fort Worth, Texas, The Kimbell Art Museum, 1982–83: "The Tangible World of the Spirit: The Paintings of Jusepe de Ribers," repr. p. 128, no. 29, p. 199.
Художник · 1225
Huang Shen (Chinese, 1687–after 1768) · 1755
Iqbal (Indian, active 1550s-1590s) · 1555
Jacometto Veneziano (Italian, 1497) · 1485
Художник · 1275
Saint Jerome (about ad 347–420) translated biblical texts into Latin. Although he sometimes appears as a scholar in his study, Ribera represents him here as a penitent who withdrew to the desert, beating his chest with a stone to emulate Christ’s suffering and contemplating a skull symbolizing human vanity. Working in Naples, Ribera enthusiastically adapted Caravaggio’s characteristic use of light and dark and naturalistic models.
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