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Публічні продажі цього самого художника, ранжовані за технікою, роком створення, розмірами й давністю продажу.
Mrs. Michael Joseph, the artist's daughter, [1876-1951], London, United Kingdom, by inheritance to...
Mrs. Elizabeth Burt, London, United Kingdom consigned to Christie's for sale
(Christie's, London, United Kingdom, March 17, 1961, lot 70, sold to Evelyn Waugh)
Auberon Evelyn Waugh [1903-1966], London. United Kingdom
(Christie's, London, United Kingdom, March 18,1983, lot 73, sold to Julian Hartnoll)
(Julian Hartnoll Gallery, London, United Kingdom, sold to the Cleveland Museum of Art)
The Cleveland Museum of Art, Cleveland, OH
Mrs. Michael Joseph, the artist's daughter, [1876-1951], London, United Kingdom, by inheritance to her daughter, Mrs. Elizabeth Burt Mrs. Elizabeth Burt, London, United Kingdom consigned to Christie's for sale (Christie's, London, United Kingdom, March 17, 1961, lot 70, sold to Evelyn Waugh) Auberon Evelyn Waugh [1903-1966], London. United Kingdom (Christie's, London, United Kingdom, March 18,1983, lot 73, sold to Julian Hartnoll) (Julian Hartnoll Gallery, London, United Kingdom, sold to the Cleveland Museum of Art) The Cleveland Museum of Art, Cleveland, OH
Year in Review for 1984. The Cleveland Museum of Art, Cleveland, OH (organizer) (April 3-May 5, 1985). Holman Hunt and the Pre-Raphaelite Vision. Art Gallery of Ontario, Ontario M5T 1G4, Canada (organizer) (February 14-May 10, 2009); Minneapolis Institute of Art, Minneapolis, MN (June 13-September 6, 2009). Portrait of a Lady. Annual Exhibition Royal Academy, London, United Kingdom (1869). Paintings and Drawings by the Pre-Raphaelites and their Followers. Russell-Coates Gallery. Bournemouth, United Kingdom (1951). William Holman Hunt. Walker Art Gallery, Liverpool, United Kingdom; Victoria and Albert Museum, London, United Kingdom (1969)
Dirck Dircksz. Santvoort (Dutch, 1610/11–1680) · 1639
Kawanabe Kyōsai (Japanese, 1831–1889) · 1880
Художник · 1795
Художник · 1585
Robert Campin (Netherlandish, 1375/79–1444) · 1410
William Holman Hunt painted this portrait of Mary Walker Waugh (1805–1886)—his mother-in-law—during a time of personal tragedy. Waugh’s daughter Fanny Waugh Hunt (1832–1866), the wife of the artist, had recently died following childbirth. References to loss of life infiltrate the composition: the sitter wears black mourning attire, and behind her is a screen decorated with red poppies, a traditional symbol of unconsciousness and lifelessness because of its pharmaceutical use as a source for opiates. In Victorian society, the red poppy also signified consolation.
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