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Bought from the artist in 1878 by Count Armand Doria [1824-1896] Paris, France, for ff 2,500.
(Galerie Heinemann, Munich, Germany, December 1912, sold to C.A. Platt for William G. Mather)
William G. Mather [1857-1951] Cleveland, OH, bequethed to the Cleveland Museum of Art
The Cleveland Museum of Art, Cleveland, OH
Bought from the artist in 1878 by Count Armand Doria [1824-1896] Paris, France, for ff 2,500. (Galerie Heinemann, Munich, Germany, December 1912, sold to C.A. Platt for William G. Mather) William G. Mather [1857-1951] Cleveland, OH, bequethed to the Cleveland Museum of Art The Cleveland Museum of Art, Cleveland, OH
Charles Daubigny. Paine Art Center and Gardens, Oshkosh, WI (organizer) (May 1-31, 1964); The Gallery of Modern Art, New York, NY (June 16-August 2, 1964). Visions of Landscape: East and West. The Cleveland Museum of Art, Cleveland, OH (organizer) (February 17-March 21, 1982). The Draw of the Normandy Coast. Portland Museum of Art, Portland, ME (organizer) (June 14-September 2, 2012). Louis Martinet, Boulevard des Italiens. Paris, France (January 1862). Cleveland Art Loan Exposition under the Auspices of the Cleveland School of Art. Kinney and Levan Building, Cleveland, OH (1913). Barbizon Revisited. California Palace of the Legion of Honor, San Francisco, CA; Toledo Museum of Art, Toledo, OH; The Cleveland Museum of Art, Cleveland, OH; Museum of Fine Arts, Boston, MA (1962-63). First American Retrospective Exhibition of Paintings, Drawings and Prints by Charles François Daubigny. Paine Art Center and Arboretum, Oshkosh, WI; Gallery of Modern Art, New York, NY (1964).
The town of Villerville on the Normandy coast appears just to the right of center in this expansive landscape by Daubigny, a pioneer of outdoor painting and a major influence on Claude Monet and the Impressionists. Daubigny introduced a new kind of natural landscape based on outdoor studies of light, water, and atmospheric conditions. Here, streaks of bright light along the horizon set off the dark masses of the rocky shore in the foreground.
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