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Публичные продажи этого же художника, ранжированные по технике, году создания, размерам и давности продажи.
Frederick Clay Barlett Collection, New York (by 1929); Betty Parsons Gallery, New York; Carroll-Knig...
Frederick Clay Barlett Collection, New York (by 1929); Betty Parsons Gallery, New York; Carroll-Knight Gallery, St. Louis; Rev. W. Chave McCracken, Cleveland Heights, Ohio (acquired in 1948); Adelaide McCracken, Bethel Vermont.
Betty Parsons Gallery, New York, NY. $850.00
Cornelis de Heem (Flemish, 1631–1695) · 1675
Художник · 1300
Master of the Krainburg Altar (Austrian, active c. 1485–1510) · 1495
Jacob van Ruisdael (Dutch, 1628/29–1682) · 1660
Julian Alden Weir (American, 1852–1919) · 1908
Following Cubist principles, this painting depicts a table from multiple perspectives, providing different views of various objects simultaneously. Louis Casimir Ladislas Markus was born in Warsaw, Poland, into a Jewish family that had converted to Catholicism. In 1903, he moved to Paris where he met poet Guillaume Apollinaire and artists Georges Braque and Pablo Picasso. He then began experimenting with Cubism. Also of Polish descent, Apollinaire had changed his own name and urged the artist to change his name to Marcoussis after a French village. The yellow hot air balloon and the French flag glimpsed out of the window pay homage to the artist’s adopted homeland.
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