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The Cleveland Museum of Art · Bequest of Mrs. A. Dean Perry
Museum
Streams and Mountains
1372
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根拠による順位付け
来歴
公開来歴
Jifu 吉夫 [14th century]
来歴
Liang Qingbiao 梁清標 [1620–1691]
来歴
C. C. Wang 王季遷 [1907–2003], New York, NY
? at least 1954–before 1962
(Walter Hochstadter [1914–2007], New York, NY, sold to Mr. and Mrs. A. Dean Perry)
by 1962–1997
Mr. A. Dean Perry [1909–1987] and Mrs. Helen Wade Greene Perry [1911–1996], Cleveland, OH, bequest t...
1997–
The Cleveland Museum of Art, Cleveland, OH
出典の来歴テキスト
Jifu 吉夫 [14th century] Liang Qingbiao 梁清標 [1620–1691] C. C. Wang 王季遷 [1907–2003], New York, NY (Walter Hochstadter [1914–2007], New York, NY, sold to Mr. and Mrs. A. Dean Perry) Mr. A. Dean Perry [1909–1987] and Mrs. Helen Wade Greene Perry [1911–1996], Cleveland, OH, bequest to the Cleveland Museum of Art The Cleveland Museum of Art, Cleveland, OH
The Cleveland Museum of Art信頼度 100%
展覧会
公開出典の展覧会テキスト
1000 Jahre Chinesische Malerei. Haus der Kunst, Munich, Mùnich, Germany (organizer) (October 16-December 13, 1959). Chinese Art Under the Mongols: The Yuan Dynasty (1279–1368). The Cleveland Museum of Art, Cleveland, OH (organizer) (October 2-November 24, 1968). Masterpieces of Early Chinese Painting and Calligraphy in American Collections. Shanghai Museum, Shanghai, China (organizer) (November 1, 2012-January 3, 2013). Chinese Landscape Painting. The Cleveland Museum of Art, Cleveland, OH (organizer) (November 5-December 26, 1954). Treasures of Chinese Art. J. B. Speed Art Museum, Louisville, KY (January 19-February 21, 1965). Eight Dynasties of Chinese Painting. The Nelson-Atkins Museum of Art (November 7, 1980-January 4, 1981); The Cleveland Museum of Art (February 10-March 29, 1981); Tokyo National Museum (October 4-November 17, 1982). The Fragrance of Ink: Chinese and Japanese Paintings from the Collection of Mrs. A. Dean Perry. The Cleveland Museum of Art, Cleveland, OH (April 19-August 3, 1997).
The Cleveland Museum of Art信頼度 100%
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Boy Drinking
Annibale Carracci (Italian, c. 1560–1609) · 1578
出典付きの概要 根拠資料
Like many literati of the late Yuan and early Ming dynasties, Xu Ben was entangled with the perils of dynastic change as well as the ups and downs of his official career. It was mainly through the art of painting and poetry, as well as the ideal of reclusion, that he sought feelings of exhilaration and shared them with his friends. <br><br>Xu created this monumental landscape during one of his periods of reclusion. His innumerable “hemp-fiber” texture strokes create a unifying rhythm among the towering mountains with tightly knit masses of rocks. Nestled among shady trees at the base of the mountain is a rustic retreat, which a scholar approaches on foot to visit with the hermit.<br><br>Among the five inscriptions at the top of the painting is one by the artist himself. He dedicated the painting to someone named Jifu 吉夫 and recorded a poem in praise of mountains.<br>Green trees, yellow orioles, everywhere are mountains; <br>Aimlessly I return from the stream, where I watched the clouds. <br>Man's life does not allow unbroken ease, <br>But to be able to be high up in the mountain, this is leisure.
The Cleveland Museum of Art信頼度 100%
証拠の状態
観測売買: 0 · 比較売買: 0 · 来歴: 6 · 展覧会: 3.
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