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The Cleveland Museum of Art · Bequest of Mrs. A. Dean Perry
Museum
Buddha's Conversion of Five Bhiksu
mid-1300s
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根拠による順位付け
来歴
公開来歴
Xu Qianxue 徐乾學 [1631–1694]
1929–c. 1949
Wu Hufan 吳湖帆 [1894–1968], Shanghai, China, to C. C. Wang
c. 1949–? before 1968
(C. C. Wang 王季遷 [1907–2003], New York, NY, sold to Mr. and Mrs. A. Dean Perry)
? by 1968–1997
Mr. A. [Albert] Dean Perry [1909–1987] and Mrs. A. Dean [Helen Wade Greene] Perry [1911–1996], Clev...
1997–
The Cleveland Museum of Art, Cleveland, OH
出典の来歴テキスト
Xu Qianxue 徐乾學 [1631–1694] Wu Hufan 吳湖帆 [1894–1968], Shanghai, China, to C. C. Wang (C. C. Wang 王季遷 [1907–2003], New York, NY, sold to Mr. and Mrs. A. Dean Perry) Mr. A. [Albert] Dean Perry [1909–1987] and Mrs. A. Dean [Helen Wade Greene] Perry [1911–1996], Cleveland, OH, bequest to the Cleveland Museum of Art The Cleveland Museum of Art, Cleveland, OH
The Cleveland Museum of Art信頼度 100%
展覧会
公開出典の展覧会テキスト
Chinese Art Under the Mongols: The Yuan Dynasty (1279–1368). The Cleveland Museum of Art, Cleveland, OH (organizer) (October 2-November 24, 1968). The Artist as Collector: Masterpieces of Chinese Painting from the C.C. Wang Family Collection. The Metropolitan Museum of Art, New York, NY (organizer) (September 3, 1999-January 9, 2000). The Plum Scenery Studio: Wu Hufan and His Circle in Modern Shanghai. The Cleveland Museum of Art, Cleveland, OH (organizer) (May 31-November 8, 2026). Eight Dynasties of Chinese Painting. The Nelson-Atkins Museum of Art (November 7, 1980-January 4, 1981); The Cleveland Museum of Art (February 10-March 29, 1981); Tokyo National Museum (October 4-November 17, 1982). Main Asian Rotation (Gallery 120). The Cleveland Museum of Art, Cleveland, OH (July 22-October 26, 2003).
The Cleveland Museum of Art信頼度 100%
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Vilhelm Hammershøi (Danish, 1864–1916) · 1901
The Large Plane Trees (Road Menders at Saint-Rémy)
Vincent van Gogh (Dutch, 1853–1890) · 1889
出典付きの概要 根拠資料
This episode stems from the life of the historical Buddha, who, after his enlightenment, was initially hesitant about preaching his own doctrine. After much personal deliberation and prodding by deities, he finally relented. The first converts were the five guards who served him when he was still a prince. For Li Sheng, this is the pretext of the painting, which moves from the interaction of the <em>bhiksu</em> with the Buddha to a broader awareness of the vast surroundings of the scene.
The Cleveland Museum of Art信頼度 100%
証拠の状態
観測売買: 0 · 比較売買: 0 · 来歴: 5 · 展覧会: 3.
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