Saint Nicholas of Bari
Saint Nicholas of Bari detail Saint Nicholas of Bari detail
The Cleveland Museum of Art
Museum

Saint Nicholas of Bari

1472
Carlo Crivelli (Italian, 1430/35–1495) visual detail
アーティストCarlo Crivelli (Italian, 1430/35–1495)
アーティストを見る →

市場分析

観測売買の事実、比較証拠、アーティスト指数の履歴、モデル研究は区別します。

公開の証拠
最後に確認した価格 $30,000 Dealer sale · Mar 31, 1952
+796.9% vs previous observed sale
対応する価格履歴 · 正規化 USD · Foundry 暫定値
1951 · $3,3451952 · $30,000
$3K1951
$30K1952
最後に確認した価格$30,0002 matched observed sales
観測中央値$16,673
観測売買2
アーティスト指数896.9
1952-03-31Dealer sale$30,000.00
1951-12-31Dealer purchase$3,345.00
アーティスト指数の背景Latest public build 896.9 · base 100 · n=1.アーティストの背景情報は作品の価格評価ではありません。

比較売買

同じアーティストの公開売買を、技法、制作年、寸法、売買の新しさで順位付けします。

根拠による順位付け
公開利用可能な比較売買で、現在の証拠基準を満たすものがありません。RELICT は研究専用・ライセンス限定の情報で表を埋めません。

来歴

公開
来歴

Cardinal Fesch (Rome sale 1845); W. Davenport-Bromley, Wooton Hall (London sale 1863); Baroness Kerb...

出典の来歴テキスト

Cardinal Fesch (Rome sale 1845); W. Davenport-Bromley, Wooton Hall (London sale 1863); Baroness Kerbeck, Paris; (Knoedler)

The Cleveland Museum of Art信頼度 100%

展覧会

公開
出典の展覧会テキスト

In Memoriam: Leonard C. Hanna, Jr.. The Cleveland Museum of Art, Cleveland, OH (organizer) (March 4-April 7, 1958). Art and Humanism in the Renaissance. The Cleveland Museum of Art, Cleveland, OH (organizer) (January 23-February 25, 1962). Ornament and Illusion: Carlo Crivelli of Venice. Isabella Stewart Gardner Museum, Boston, MA (organizer) (October 22, 2015-January 25, 2016). Glory of Venice: Renaissance Paintings 1470–1520. North Carolina Museum of Art, Raleigh, NC (March 4-June 1, 2017). Isabella Stewart Gardner Museum, Biston, MA (10/22/2015 - 1/25/2016): "Ornament and Illusion: Carlo Crivelli of Venice" cat. no. 3, p. 39. North Carolina Museum of Art, Raleigh, NC (3/4/2017 – 6/18/2017): "Glory of Venice: Renaissance Paintings 1470–1520"

The Cleveland Museum of Art信頼度 100%
関連する公開作品

視覚的に近い作品

カタログを見る →

出典付きの概要 根拠資料

Saint Nicolas of Bari, patron saint of children, sailors, and travelers, and the prototype of Father Christmas, was bishop of Myra (Lycia) in Asia Minor during the AD 300s. His remains were said to have been taken to Bari in Italy during the 11th century. The saint is shown vested as bishop in an elaborately embroidered cope, fastened with a morse, and holding a crosier. <br><br>By the mid-1400s, most Florentine artists had stopped using gold backgrounds in their pictures, preferring instead naturalistic backgrounds of landscapes and blue skies. However, elsewhere in Italy gold-ground painting remained popular, as in this painting by Crivelli, a a painter of conservative Late Gothic decorative sensibility, who spent his early years in the Veneto where he absorbed influences from the Vivarini, Squarcione, and Mantegna. By 1458 he left the Veneto and was never to return; he spent most of the remainder of his career in the March of Ancona, where he developed a distinctive personal style that makes a contrast to his Venetian contemporary Giovanni Bellini.

The Cleveland Museum of Art信頼度 100%

証拠の状態

観測売買: 2 · 比較売買: 0 · 来歴: 1 · 展覧会: 4.

Short DescriptionProvenance TextExhibition HistoryCredit LinePlace Of Origin