観測売買の事実、比較証拠、アーティスト指数の履歴、モデル研究は区別します。
同じアーティストの公開売買を、技法、制作年、寸法、売買の新しさで順位付けします。
| 作品 | 売買日 | オークションハウス | 実売価格（USD） | 一致 |
|---|---|---|---|---|
| A Farm in the Sunlight 1668 · oil on canvas | 1924-12-15 | — | $108,813.93 | 80% |
| Village among Trees 1665 · Oil on oak panel | 1902-01-06 | — | $75,000.00 | 60% |
| Village with Water Mill among Trees Year n/a · oil paint, canvas | 1911-11-01 | — | $135,000.00 | 35% |
類似度は記述的な根拠の順位であり、価格評価モデルではありません。各行は公開権利が認められた市場データの範囲内です。
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The enthusiastic sportsman in the bright red coat draws the eye and adds a narrative to the landscape: Has he interrupted his ride to take an opportune shot? Yet he wasn’t in the original painting. He was added later—by another painter, no less—between 1810 and 1828. An 1809 sale catalogue describes the painting without him: “The chef d’oeuvre of this celebrated painter, a beautiful landscape with a water mill—the figures and cattle are judiciously introduced, with appropriate spirit of pencil, by [Nicholas] Berchem.” In 1828, another estate-sale catalogue notes his appearance: “…in the foreground, on the right, a sportsman dressed in red is shooting at wild fowl….” It’s impossible to know why he was painted in. But sporting subjects were extremely popular in the early 1800s, particularly in England, and the painting’s owner may have requested the addition to increase demand (and therefore its price) at auction.
観測売買: 2 · 比較売買: 3 · 来歴: 1 · 展覧会: 0.
