Plum Tree

The Cleveland Museum of Art · John L. Severance Fund

Museum

Plum Tree

c. 1700

アーティストOgata Kōrin (Japanese, 1658–1716)

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素材・技法: hanging scroll; ink on silk
寸法: Image: 94 x 35.4 cm (37 x 13 15/16 in.); Including mounting: 177.2 x 51.8 cm (69 3/4 x 20 3/8 in.)
分類: Painting
様式: ASIAN - Hanging scroll
出所: Japan, Edo period (1615–1868)
機関: The Cleveland Museum of Art
入金: John L. Severance Fund

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来歴

公開

?–1983

(Shunichi Yabumoto Co., Ltd., Tokyo, Japan, sold to the Cleveland Museum of Art)

1983–

The Cleveland Museum of Art, Cleveland, OH

出典の来歴テキスト

(Shunichi Yabumoto Co., Ltd., Tokyo, Japan, sold to the Cleveland Museum of Art) The Cleveland Museum of Art, Cleveland, OH

The Cleveland Museum of Art信頼度 100%

展覧会

公開

Asian Autumn: Masterpieces from the Collection

The Year in Review for 1983

Unfolding Beauty: Japanese Screens from the Cleveland Museum of Art

Suibokuga: Japanese Ink Painting

Rinpa (琳派)

Rimpa Painting

出典の展覧会テキスト

The Year in Review for 1983. The Cleveland Museum of Art, Cleveland, OH (organizer) (February 22-April 8, 1984). Suibokuga: Japanese Ink Painting. The Cleveland Museum of Art, Cleveland, OH (organizer) (October 1, 1985-February 24, 1986). Rimpa Painting. The Cleveland Museum of Art, Cleveland, OH (organizer) (September 19-December 17, 1989). Asian Autumn: Masterpieces from the Collection. The Cleveland Museum of Art, Cleveland, OH (organizer) (September 17, 1991-January 5, 1992). Unfolding Beauty: Japanese Screens from the Cleveland Museum of Art. The Cleveland Museum of Art, Cleveland, OH (organizer) (July 15-September 16, 2001). Rinpa (琳派). The Cleveland Museum of Art, Cleveland, OH (organizer) (April 23-October 3, 2021). Later Japanese Art Rotation (Gallery 113). The Cleveland Museum of Art, Cleveland, OH (December 4, 2003-March 18, 2004).

The Cleveland Museum of Art信頼度 100%

出典付きの概要根拠資料

Ogata Kōrin had to think through his design carefully to create these white plum blossoms and deliver their effect, as he used the reserve technique—where selected areas of the painting surface are left unpainted—to achieve it. He probably roughed in the tree before applying an ink wash to the entire silk surface, except where he intended to place the flowers. He likely then returned to articulate the petals and, in some cases, the pistils and stamens. The composition shows the tree twisting out of view, only to return with a branch of new growth jabbing forth from an old, broken limb, thereby heightening the visual impact of the blossoms.

The Cleveland Museum of Art信頼度 100%

証拠の状態

観測売買: 0 · 比較売買: 0 · 来歴: 2 · 展覧会: 6.

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