The Immaculate Conception
The Cleveland Museum of Art · Leonard C. Hanna Jr. Fund
Museum

The Immaculate Conception

c. 1680
Bartolomé Esteban Murillo (Spanish, 1617–1682) visual detail
ArtistaBartolomé Esteban Murillo (Spanish, 1617–1682)
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Provenienza

Pubblico
Provenienza

Sir Thomas Sebright, Beechwood near Boxmoor, Hertfordshire; [F. Kleinberger &: Co., New York]. Purch...

Testo di provenienza della fonte

Sir Thomas Sebright, Beechwood near Boxmoor, Hertfordshire; [F. Kleinberger &: Co., New York]. Purchase, Leonard C. Hanna Jr. Bequest, 1959.

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Mostre

Pubblico
Testo mostre della fonte

El Greco to Goya, A Loan Exhibition of Spanish Paintings of the Seventeenth and Eighteenth Centuries. Indianapolis Museum of Art at Newfields, Indianapolis, IN (organizer) (February 10-March 24, 1963); Rhode Island School of Design, Providence, RI (February 10-March 24, 1963). Bartolomé Esteban Murillo: Paintings from American Collections. Kimbell Art Museum, Fort Worth, TX (organizer) (March 10-June 16, 2002); Los Angeles County Museum of Art, Los Angeles, CA (July 14-October 6, 2002). Dalí and the Spanish Baroque. Salvador Dalí Museum, St. Petersburg, FL (organizer) (February 2-June 24, 2007). John Herron Art Museum, Indianapolis, Indiana., February 10-March 24, 1963: "El Greco to Goya: A Loan Exhibition of Spanish Painting of the Seventeenth and Eighteenth Centuries," cat. no. 52, pl. 52. Rhode Island School of Design, Providence, RI April 15- May 26, 1963. Fort Worth, TX: Kimbell Art Museum (3/10-6/16/02); Los Angeles, CA: Los Angeles County Museum of Art (7/14-10/6/02) "Bartolomé Esteban Murillo (1617-1682): Paintings from American Collections". Fig, 1, p. 174, exh. cat. no. 28, p. 174, repr. p. 174. Salvador Dalí Musuem of Art (2/2/2007 - 6/24/2007): "Dalí and the Spanish Baroque", fig. 24, p. 42-43.

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Panoramica documentata Evidenze

The doctrine of the Immaculate Conception maintains that the Virgin Mary was conceived free from sin, therefore ready to be the pure vessel for Christ’s birth. The Immaculate Conception enjoyed intense devotion in Spain during the 1600s, although it was only accepted as official doctrine in 1854. The abstract subject required artists to develop appropriate imagery. The crescent moon, for example, comes from the New Testament vision of Saint John the Evangelist (Revelation 12:1) of “a woman clothed with the sun, with the moon under her feet.”

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