Herbaceous Peony
The Cleveland Museum of Art · Gift of the American Foundation for the Maud E. and Warren H. Corning Botanical Collection
Museum

Herbaceous Peony

1685
Yun Shouping (Chinese, 1633–1690) visual detail
ArtistaYun Shouping (Chinese, 1633–1690)
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Provenienza

Pubblico
?–1967

C. C. Wang 王季遷 [1907–2003], New York, NY, sold to the Cleveland Museum of Art

1967–

The Cleveland Museum of Art, Cleveland, OH

Testo di provenienza della fonte

C. C. Wang 王季遷 [1907–2003], New York, NY, sold to the Cleveland Museum of Art The Cleveland Museum of Art, Cleveland, OH

The Cleveland Museum of ArtAffidabilità 100%

Mostre

Pubblico
Testo mostre della fonte

Year in Review for 1968. The Cleveland Museum of Art, Cleveland, OH (organizer) (January 29-March 9, 1969). Inspired by Chinese Landscape and Art – Chinese Gallery Rotation 240a, 241c. The Cleveland Museum of Art (organizer) (August 14, 2017-February 5, 2018). China’s Southern Paradise: Treasures from the Lower Yangzi Delta. The Cleveland Museum of Art, Cleveland, OH (organizer) (September 10, 2023-January 7, 2024). Eight Dynasties of Chinese Painting. The Nelson-Atkins Museum of Art (November 7, 1980-January 4, 1981); The Cleveland Museum of Art (February 10-March 29, 1981); Tokyo National Museum (October 4-November 17, 1982). Main Asian Rotation (Gallery 119). The Cleveland Museum of Art, Cleveland, OH (March 12-July 16, 2003). Main Asian Rotation (Gallery 119). The Cleveland Museum of Art, Cleveland, OH (July 13-November 17, 2004).

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Panoramica documentata Evidenze

Yun Shouping came from Piling (modern Changzhou), Jiangsu province, a center of floral, plant, and insect painting. He had joined the anti-Manchu resistance, was briefly imprisoned, and witnessed the death of family members in 1644. <br><br>Like other artists, Yun Shouping expressed his Ming loyalism in coded pictures. The peony, king of flowers, and a spring garden motif developed new meaning during the Qing dynasty. The inscription indicates that Yun turns the flower into a motif representing the glorious past. The herbaceous peonies here appear somewhat withered and pale, with faint reddish veins running through its broken branches, perhaps a coded message. <br><br>The inscription reads, <br><em>An old painting by an anonymous painter of the Northern Song Dynasty has five varieties of flowers painted in the boneless manner. Its colors are so beguiling and beautiful, that even after several hundred years its lead pigments are like new. The skill with which the ink and colors were applied and the subtlety of its composition find no equal among modern followers</em>.

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