Vendite osservate, prove comparabili, storia dell’indice artista e ricerche modellate restano distinti.
Vendite pubbliche dello stesso artista ordinate per tecnica, anno di creazione, dimensioni e data di vendita.
Counts von Harrach, Schloss Rohrau and Vienna, Austira (inventories of 1889 and 1897, no. 218)
Walter Bareiss (1920-2007), Zurich, Switzerland
Charlotte Barreiss, Zurich, Switzerland
(Sale: Sotheby's, London, June 24, 1964, lot 5)
(Pinakos, Inc., New York, NY, sold to the Cleveland Museum of Art)
The Cleveland Museum of Art, Cleveland, OH
Counts von Harrach, Schloss Rohrau and Vienna, Austira (inventories of 1889 and 1897, no. 218) Walter Bareiss (1920-2007), Zurich, Switzerland Charlotte Barreiss, Zurich, Switzerland (Sale: Sotheby's, London, June 24, 1964, lot 5) (Pinakos, Inc., New York, NY, sold to the Cleveland Museum of Art) The Cleveland Museum of Art, Cleveland, OH
Year in Review: 1967. The Cleveland Museum of Art, Cleveland, OH (organizer) (November 29-December 31, 1967). Dutch Art and Life in the Seventeenth Century. The Cleveland Museum of Art, Cleveland, OH (July 10-September 2, 1973). Re-presenting the Baroque. Samuel P. Harn Museum of Art (organizer) (October 1, 1997-April 1, 1998). Study purposes for Rembrandt exhibition in May 2002. National Gallery of Art (organizer). Study purposes/The Apostle Paul. National Gallery of Art, Landover, MD (organizer) (March 17, 2000-March 17, 2001). Rembrandt in America. North Carolina Museum of Art, Raleigh, NC (organizer) (October 30, 2011-January 22, 2012); The Cleveland Museum of Art, Cleveland, OH (February 19-May 28, 2012); Minneapolis Institute of Art, Minneapolis, MN (June 24-September 16, 2012). Harrach Gallery, Vienna from before 1904 to 1939. Rembrandt und Seine Zeit, Schaffhausen, Museum zu Allerheiligen, 1949: no. 141. Thirty-one paintings of the 15th-18th centuries from a Private Collection, Schaffhausen, Museum zu Allerheiligen, 1952: no. 22, (repr.) Rembrandt Tentoonstellung, Rijksmuseum, Amsterdam, May-August 1956, Rotterdam, Boymans Museum, August-October 1956, cat. no. 89, repr. p. 182 (as a "Praying Apostle") Munich, Alte Pinakothek (on loan, 1963) The Year in Review for 1967, no. 63, The Cleveland Museum of Art. Rembrandt After Three Hundred Years, Art Institute of Chicago, Oct. 25- Dec. 7, 1969, no 19. Dutch Art and Life in the Seveneteenth Century, The Cleveland Museum of Art, July 10- September 2, 1973. (no catalogue) Gainesville, FL: Samuel P. Harn Museum of Art, 10/97 - 4/19/98 Re-presenting the Baroque.(no catalogue) North Carolina Museum of Art (10/30/2011 - 1/22/2012), The Cleveland Museum of Art (2/19/2012 - 5/28/2012), and Minneapolis Institute of Arts (6/24/2012 - 9/16/2012): "Rembrandt Paintings in America: Collecting and Connoisseurship"
Toward the end of his life, Rembrandt explored religious themes from an intimate perspective, producing a number of works for a possible Apostle series. The personal religiosity of <em>An Elderly Man in Prayer</em>, formerly attributed to Rembrandt, bears resemblance to such late works. Seated with eyes nearly closed and hands clasped in prayer over a large book, the figure appears still and introspective. While the dramatic lighting and dark color palette are reminiscent of Rembrandt's late works, this painting, formerly attributed to the artist, has since been assigned to a follower or a later eighteenth-century imitator of Rembrandt's style for reasons associated with the broad, flat brushwork of the garment, the poor handling of shadow on the hands, and the uniform treatment of the hair.
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