Vendite osservate, prove comparabili, storia dell’indice artista e ricerche modellate restano distinti.
Vendite pubbliche dello stesso artista ordinate per tecnica, anno di creazione, dimensioni e data di vendita.
Possibly Gustave Fayet [1865-1925], Béziers
(Jacques Dubourg [1897-1981], Paris, sold to Knoedler & Co.)
(Knoedler & Co., New York, sold to Mildred Andrews Putnam)
Mildred Andrews Putnam [1890/92-1984], Cleveland, OH, by descent to her son, Peter Andrews Putnam
Peter Andrews Putnam [1925-1987], Cleveland, OH, given to the Cleveland Museum of Art
The Cleveland Museum of Art, Cleveland, OH
Possibly Gustave Fayet [1865-1925], Béziers (Jacques Dubourg [1897-1981], Paris, sold to Knoedler & Co.) (Knoedler & Co., New York, sold to Mildred Andrews Putnam) Mildred Andrews Putnam [1890/92-1984], Cleveland, OH, by descent to her son, Peter Andrews Putnam Peter Andrews Putnam [1925-1987], Cleveland, OH, given to the Cleveland Museum of Art The Cleveland Museum of Art, Cleveland, OH
The Year in Review for 1988. The Cleveland Museum of Art, Cleveland, OH (organizer) (March 1-May 14, 1989). Odilon Redon - Le souci de l'absolu (Search for the Absolute). Shimane Art Museum, Matsue-shi, Japan (August 2-September 23, 2002); Museum of Fine Arts, Gifu, Gifu City, Japan (organizer) (October 8-December 8, 2002). Les origines de l'art contemporain. Hôtel de Ville de Rennes, Le Mans, France (1951). If Wishes Could Buy. Baltimore Museum of Art, Baltimore, MD (1955). The Logic of Modern Art: An Exhibition Tracing the Evolution of Modern Painting from from Cézanne to 1960. Nelson Gallery and Atkins Museum, Kansas City, MO (1961). Odilon Redon, Gustave Moreau, Rodolphe Bresdin. Museum of Modern Art, New York, NY; Art Institute of Chicago, Chicago, IL (1961-62).
One of Redon’s favorite themes was a head depicted in profile, sometimes separated from the body to symbolize the spirit released from the material world. It also suggests a metaphor for abandoning physical reality for the inner realm of dreams, fantasy, and poetic reverie. This painting conveys the idea of inward-turning vision by framing the head in a series of collapsing rectangles. Conservation analysis confirms that the figure is a woman wearing a helmet and holding a green staff in her right hand.
Vendite osservate: 2 · Vendite comparabili: 0 · Provenienza: 6 · Mostre: 2.