Return from the Fields
The Cleveland Museum of Art · Mr. and Mrs. William H. Marlatt Fund
Museum

Return from the Fields

c. 1846–47
Jean-François Millet (French, 1814–1875) visual detail
ArtisteJean-François Millet (French, 1814–1875)
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Analyse de marché

Les ventes observées, preuves comparables, historiques d’indice et recherches modélisées restent distincts.

Preuves publiques
Dernier prix connu—0 matched observed sales
Médiane observée—
Ventes observées0
Indice d’artiste—
Aucune vente observée normalisée aux droits vérifiés n’est liée à cette œuvre. Aucun historique de prix artificiel n’est affiché.
Indice d’artiste indisponibleAucun calcul public d’indice d’artiste terminé.Le contexte d’un artiste n’est pas une estimation d’œuvre.

Ventes comparables

Ventes publiques du même artiste classées par technique, année de création, dimensions et date de vente.

Classé selon les preuves
Aucune vente comparable aux droits publics ne satisfait les critères actuels. RELICT ne remplit pas le tableau avec des faits réservés à la recherche ou sous licence uniquement.

Provenance

Public
Provenance

John W. Wilson. His sale, Paris, Drouot, 27-28 April 1874 (lot 113), Retour des Champs, ff 8,200. Fr...

Texte de provenance source

John W. Wilson. His sale, Paris, Drouot, 27-28 April 1874 (lot 113), Retour des Champs, ff 8,200. Frédéric Hartmann, Münster. His sale, Paris, Drouot, 11 May 1876 (lot 24), Retour des champs, 45 x 38 cm, ff 6,350. W. A. Coats, Scotland, 1901. London sale, Christie's, 10 June 1927 (lot 74), The Last Load, for £483 to Blaker. D. Croal Thompson, 1928. Howard Murray, Montreal. His sale, New York, Parke-Bernet Galleries, 23 October 1941 (lot 34, repr.), bought by L. J. Marion. Hazlitt Gallery, London. Purchased by the CMA in 1972.

The Cleveland Museum of ArtFiabilité 100%

Expositions

Public
Texte d’exposition source

Year in Review: 1972. The Cleveland Museum of Art, Cleveland, OH (organizer) (February 27-March 18, 1973). Jean-François Millet. Hayward Gallery, London, United Kingdom of Great Britain and Northern Ireland (January 20-March 7, 1976); Galeries Nationales du Grand Palais, 75008 Paris, France (organizer) (October 17-January 5, 1976). Return to Nature: Millet, the Barbizon Artists, and the Renewal of the Rural Tradition. Yamanashi Prefectural Museum of Art, Kofu (September 26-December 8, 1998). L'Ecole de Barbizon. Musée des Beaux-Arts de Lyon, 69001 Lyon, France (organizer) (June 20-September 9, 2002). Praised and Ridiculed: French Painting 1820 - 1880. Kunsthaus Zürich, CH-8024 Zürich, Switzerland (organizer) (November 10, 2017-January 28, 2018). Glasgow. International Exhibition (1901), no. 1323, The Last Load, lent by W. A. Coats, Esq. Paris, Grand Palais; London, Hayward Gallery. Jean-François Millet (1975-76), no. 22 (repr.), (no. 12 in English cat.). Køfu, Japan. Yamanashi Prefectural Museum of Art. Return to Nature: J. F. Millet, the Barbizon Artists, and the Renewal of the Rural Tradition (1998), 22, 108, no. ii-13, 124 (repr.). Lyon, France. Musee des Beaux-Arts de Lyon. "L'Ecole de Barbizon" (6/20/2002 - 9/9/2002), exh cat no. 82, p.246.

The Cleveland Museum of ArtFiabilité 100%

Vue d’ensemble sourcée Éléments probants

This idealized vision of noble peasant life was painted during a period of intense industrialization in France, accompanied by economic depression and the abandonment of farms. Nostalgic peasant scenes were especially popular in the 1840s, a stark contrast to the disillusionment and tension that would violently surface in the Revolution of 1848. The vague shapes and faces of the family seen here make them symbols of the land, rather than individuals.

The Cleveland Museum of ArtFiabilité 100%

État des preuves

Ventes observées: 0 · Ventes comparables: 0 · Provenance: 1 · Expositions: 5.

Place Of OriginShort DescriptionProvenance TextExhibition HistoryCredit Line