Portrait of An Qi
The Cleveland Museum of Art · John L. Severance Fund
Museum

Portrait of An Qi

1715
Wang Hui (Chinese, 1632–1717) visual detail
ArtisteWang Hui (Chinese, 1632–1717)
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Provenance

Public
Provenance

An Qi 安岐 [c. 1683–c. 1744]

Provenance

Xu Bojiao 徐伯郊 [1913–2002]

Provenance

Cheng Qi 程琦 [1911–1988], to his son, Stephen O. K. Chen

Provenance

Stephen O. K. Chen [20th century], New York/Tokyo, sold to the Cleveland Museum of Art

1971-

The Cleveland Museum of Art, Cleveland, OH

Texte de provenance source

An Qi 安岐 [c. 1683–c. 1744] Xu Bojiao 徐伯郊 [1913–2002] Cheng Qi 程琦 [1911–1988], to his son, Stephen O. K. Chen Stephen O. K. Chen [20th century], New York/Tokyo, sold to the Cleveland Museum of Art The Cleveland Museum of Art, Cleveland, OH

The Cleveland Museum of ArtFiabilité 100%

Expositions

Public
Texte d’exposition source

Year in Review: 1971. The Cleveland Museum of Art, Cleveland, OH (organizer) (December 28, 1971-February 6, 1972). Eight Dynasties of Chinese Painting. The Nelson-Atkins Museum of Art (November 7, 1980-January 4, 1981); The Cleveland Museum of Art (February 11-March 29, 1981); Tokyo National Museum (October 4-November 17, 1982); The Asia Society Museum, New York, NY (December 3, 1982-February 28, 1983). Portraiture: The Image of the Individual. The Cleveland Museum of Art, Cleveland, OH (organizer) (November 22, 1983-January 22, 1984). Highlights of Asian Paintings from The Cleveland Museum of Art. Nara National Museum (organizer) (February 21-March 29, 1998); Suntory Museum of Art (April 28-June 21, 1998). Inspired by Chinese Landscape and Art – Chinese Gallery Rotation 240a, 241c. The Cleveland Museum of Art (organizer) (August 14, 2017-February 5, 2018). When Salt was Gold: Yangzhou, City of Riches and Art. The Cleveland Museum of Art, Cleveland, OH (organizer) (May 12-November 5, 2023).

The Cleveland Museum of ArtFiabilité 100%

Vue d’ensemble sourcée Éléments probants

An Qi, the subject of the portrait, was a second-generation salt merchant from Korea. He used part of his wealth to collect art. At the time this painting was commissioned, An was less than 40 years old. He is represented as a Daoist recluse in nature, informally dressed with attributes such as books and a wrapped <em>guqin</em> instrument, a portrait convention for literati-scholars since the Six Dynasties period (220–589 CE). The local Taihu rock, banana plants, and crane suggest a southern garden and a life in seclusion. An’s portrait is evidence of merchants aspiring to the scholar-official class. <br><br>According to the inscription, this painting was the joint effort of three men, the eldest and most famous was Wang Hui. While the garden setting is homogenous in style, it contrasts with the application of opaque pigments and shading employed for the depiction of An Qi’s face.

The Cleveland Museum of ArtFiabilité 100%

État des preuves

Ventes observées: 0 · Ventes comparables: 0 · Provenance: 5 · Expositions: 6.

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