Les ventes observées, preuves comparables, historiques d’indice et recherches modélisées restent distincts.
Ventes publiques du même artiste classées par technique, année de création, dimensions et date de vente.
(James J. Freeman, Kyoto, Japan, sold to the Cleveland Museum of Art)
The Cleveland Museum of Art, Cleveland, OH
(James J. Freeman, Kyoto, Japan, sold to the Cleveland Museum of Art) The Cleveland Museum of Art, Cleveland, OH
Year in Review: 1980. The Cleveland Museum of Art (organizer) (June 24-July 19, 1981). Layers of Meaning: China’s Flora and Fauna in Painting and on Porcelain. The Cleveland Museum of Art, Cleveland, OH (organizer) (November 6, 2020-June 6, 2021). Eight Dynasties of Chinese Painting. The Nelson-Atkins Museum of Art (November 7, 1980-January 4, 1981); The Cleveland Museum of Art (February 10-March 29, 1981); Tokyo National Museum (October 4-November 17, 1982). Main Asian Gallery Rotation (Gallery 122). The Cleveland Museum of Art, Cleveland, OH (March 10-April 7, 2004). Main Asian Rotation (Gallery 242). The Cleveland Museum of Art, Cleveland, OH (July 28, 2014-January 7, 2015).
One of the so-called Yangzhou Eccentrics (a group of painters who lived in Yangzhou and were known for their unorthodox art and lifestyle), Gao Fenghan depicts China’s two most loved flowers in full bloom—the “cold beauty,” or plum blossom, in the first section, and the “king of flowers,” or peony, in the second section. Painted in 1741, the year when Gao decided to leave the south and return home to Shandong province in eastern China, this work was likely a token of farewell. His casual brushwork may indicate his mental and physical struggle at the time. After having crippled his right hand in 1737, Gao used his left hand to paint and achieved a crudeness and eccentric style unattainable before.
Ventes observées: 0 · Ventes comparables: 0 · Provenance: 2 · Expositions: 2.