Five Pine Trees

The Cleveland Museum of Art · Purchase from the J. H. Wade Fund

Museum

Five Pine Trees

1747

ArtisteLi Shan (Chinese, c. 1686–1762)

Voir l’artiste →

Technique: Hanging scroll; ink on paper
Dimensions: Image: 199.9 x 94.3 cm (78 11/16 x 37 1/8 in.); Overall: 260 x 98 cm (102 3/8 x 38 9/16 in.)
Classification: Painting
Style: ASIAN - Hanging scroll
Origine: China, Qing dynasty (1644–1911), Qianlong reign (1736–95)
Institution: The Cleveland Museum of Art
Crédit: Purchase from the J. H. Wade Fund

Analyse de marché

Les ventes observées, preuves comparables, historiques d’indice et recherches modélisées restent distincts.

Preuves publiques

Dernier prix connu—0 matched observed sales

Médiane observée—

Ventes observées0

Indice d’artiste—

Aucune vente observée normalisée aux droits vérifiés n’est liée à cette œuvre. Aucun historique de prix artificiel n’est affiché.

Indice d’artiste indisponibleAucun calcul public d’indice d’artiste terminé.Le contexte d’un artiste n’est pas une estimation d’œuvre.

Ventes comparables

Ventes publiques du même artiste classées par technique, année de création, dimensions et date de vente.

Classé selon les preuves

Aucune vente comparable aux droits publics ne satisfait les critères actuels. RELICT ne remplit pas le tableau avec des faits réservés à la recherche ou sous licence uniquement.

Provenance

Public

?–1976

(Cheng Qi 程琦 [1911–1988], sold to the Cleveland Museum of Art)

1976–

The Cleveland Museum of Art, Cleveland, OH

Texte de provenance source

(Cheng Qi 程琦 [1911–1988], sold to the Cleveland Museum of Art) The Cleveland Museum of Art, Cleveland, OH

The Cleveland Museum of ArtFiabilité 100%

Expositions

Public

Year in Review, 1976

Scholar's Studio

Chinese Paintings: Themes and Techniques

Inspired by Chinese Landscape and Art – Chinese Gallery Rotation 240a, 241c

When Salt was Gold: Yangzhou, City of Riches and Art

Texte d’exposition source

Year in Review, 1976. The Cleveland Museum of Art, Cleveland, OH (organizer) (February 1-March 6, 1977). Chinese Paintings: Themes and Techniques. The Cleveland Museum of Art, Cleveland, OH (February 7-April 5, 1981). Scholar's Studio. The Cleveland Museum of Art, Cleveland, OH (organizer) (September 19-December 17, 1989). Inspired by Chinese Landscape and Art – Chinese Gallery Rotation 240a, 241c. The Cleveland Museum of Art (organizer) (August 14, 2017-February 5, 2018). When Salt was Gold: Yangzhou, City of Riches and Art. The Cleveland Museum of Art, Cleveland, OH (organizer) (May 12-November 5, 2023). Eight Dynasties of Chinese Painting. The Nelson-Atkins Museum of Art (November 7, 1980-January 4, 1981); The Cleveland Museum of Art (February 10-March 29, 1981); Tokyo National Museum (October 4-November 17, 1982).

The Cleveland Museum of ArtFiabilité 100%

Œuvres publiques liées

Œuvres visuellement proches

Explorer le catalogue →

Portrait of Ōzora Buzaemon

Portrait of Ōzora Buzaemon

Watanabe Kazan (Japanese, 1793–1841) · 1827

Landscape

Landscape

Sōami (Japanese, d. 1525) · 1500

Portrait of Priest Dazhi (1048–1116), Master of Law

Portrait of Priest Dazhi (1048–1116), Master of Law

Liu Tao (Chinese, late 1000s–early 1100s) · 1100

The Brahman gives an account of his falling in love with the king of Babylon’s daughter to his friend, the magician, from a Tuti-nama (Tales of a Parrot): Thirty-fifth Night

The Brahman gives an account of his falling in love with the king of Babylon’s daughter to his friend, the magician, from a Tuti-nama (Tales of a Parrot): Thirty-fifth Night

Artiste · 1555

Portrait of a Man, Possibly Girolamo Rosati

Portrait of a Man, Possibly Girolamo Rosati

Lorenzo Lotto (Italian, 1480–1556) · 1533

Vue d’ensemble sourcée Éléments probants

Li Shan was born into a family of scholars and officials in Yangzhou. The wealth and status of Li's family assured him an educational and cultural advantage, including his appointment at court. The subjects Li Shan chose to paint—orchids, bamboo, pines, and flowers—reflected his literati background. <em>Five Pine Trees</em>, painted late in his career, is an unconventional work. Rather than having focused on a realistic treatment of the subject, Li created the trees with an interplay of richly modulated strokes, while he utilized a semicursive script among the branches to illustrate the kinship between painting and calligraphy.

The Cleveland Museum of ArtFiabilité 100%

État des preuves

Ventes observées: 0 · Ventes comparables: 0 · Provenance: 2 · Expositions: 5.

Place Of OriginShort DescriptionProvenance TextExhibition HistoryCredit Line