Les ventes observées, preuves comparables, historiques d’indice et recherches modélisées restent distincts.
Ventes publiques du même artiste classées par technique, année de création, dimensions et date de vente.
(Shunichi Yabumoto Co., Ltd., Tokyo, Japan, sold to the Cleveland Museum of Art)
The Cleveland Museum of Art, Cleveland, OH
(Shunichi Yabumoto Co., Ltd., Tokyo, Japan, sold to the Cleveland Museum of Art) The Cleveland Museum of Art, Cleveland, OH
The Year in Review for 1983. The Cleveland Museum of Art, Cleveland, OH (organizer) (February 22-April 8, 1984). Suibokuga: Japanese Ink Painting. The Cleveland Museum of Art, Cleveland, OH (organizer) (October 1, 1985-February 24, 1986). Rimpa Painting. The Cleveland Museum of Art, Cleveland, OH (organizer) (September 19-December 17, 1989). Asian Autumn: Masterpieces from the Collection. The Cleveland Museum of Art, Cleveland, OH (organizer) (September 17, 1991-January 5, 1992). Unfolding Beauty: Japanese Screens from the Cleveland Museum of Art. The Cleveland Museum of Art, Cleveland, OH (organizer) (July 15-September 16, 2001). Rinpa (琳派). The Cleveland Museum of Art, Cleveland, OH (organizer) (April 23-October 3, 2021). Later Japanese Art Rotation (Gallery 113). The Cleveland Museum of Art, Cleveland, OH (December 4, 2003-March 18, 2004).
Ogata Kōrin had to think through his design carefully to create these white plum blossoms and deliver their effect, as he used the reserve technique—where selected areas of the painting surface are left unpainted—to achieve it. He probably roughed in the tree before applying an ink wash to the entire silk surface, except where he intended to place the flowers. He likely then returned to articulate the petals and, in some cases, the pistils and stamens. The composition shows the tree twisting out of view, only to return with a branch of new growth jabbing forth from an old, broken limb, thereby heightening the visual impact of the blossoms.
Ventes observées: 0 · Ventes comparables: 0 · Provenance: 2 · Expositions: 6.