Les ventes observées, preuves comparables, historiques d’indice et recherches modélisées restent distincts.
Ventes publiques du même artiste classées par technique, année de création, dimensions et date de vente.
Family of the sitter. Hector Brame, Paris. Purchased by the CMA on 10 May 1969.
Family of the sitter. Hector Brame, Paris. Purchased by the CMA on 10 May 1969.
Year in Review: 1969. The Cleveland Museum of Art, Cleveland, OH (organizer) (January 27-February 22, 1970). Monet to Dalí: Modern Masters from the Cleveland Museum of Art. Beijing World Art Museum (May 26-August 27, 2006); Mori Art Center (September 16-November 26, 2006); Seoul Art Center, South Korea (December 22, 2006-March 28, 2007); Seoul Olympic Museum of Art, South Korea (April 7-May 20, 2007); Vancouver Art Gallery, Vancouver, Canada (June 9-September 16, 2007); The Cleveland Museum of Art, Cleveland, OH (organizer) (October 21, 2007-January 13, 2008); Frist Art Museum, Nashville, TN (February 15-June 1, 2008); Utah Museum of Fine Arts, Salt Lake City, UT (June 22-September 21, 2008); The Detroit Institute of Arts, Detroit, MI (October 12, 2008-January 18, 2009). Henri Fantin-Latour: Painter of Intimacy (1836-1904). Calouste Gulbenkian Foundation, Lisbon, Portugal (June 26-September 6, 2009); Museo Nacional Thyssen-Bornemisza, Madrid, Spain (September 28, 2009-January 10, 2010). Paris, Palais de l'Industrie. Salon (1882), no. 1007, Hors Concours. Portrait de Mme H. L . . . Paris, Palais de l'École Nationale des Beaux-Arts. Exposition de l'oeuvre de Fantin-Latour (1906), no. 49, appartient à Henri Lerolle. Paris, La Renaissance. Portraits et figures de femmes, Ingres à Picasso (1928), no. 70, Portrait de Mme Henri Lerolle, appartient à Henri Lerolle. Paris, Grand Palais; Ottawa, National Gallery of Canada; San Francisco, California Palace of the Legion of Honor. Fantin-Latour (1982-83), 322, 324, 327, 367-69, no. 137 bis (repr.) (shown only in Ottawa and San Francisco). CMA (organizer). Beijing World Art Museum, China, May 26 - Aug. 27, 2006; Mori Arts Center, Tokyo, Japan: Sept. 9 - Nov. 26, 2006; Seoul Arts Center, Seoul, Korea: Dec. 18, 2006 - March 31, 2007; Seoul Olympic Museum of Art, Seoul, Korea: Apr. 7 - May 20, 2007; Vancouver Art Gallery, Vancouver, British Columbia, Canada: June 9 - Sept. 16, 2007; Cleveland Museum of Art, Oct. 21, 2007- January 13, 2008; Frist Center for the Visual Arts, Nashville, TN, Feb. 21-June 1, 2008; Utah Museum of Fine Arts, Salt Lake City, UT, June 22 - September 21, 2008; and the Detroit Institute of Arts, MI, October 12, 2008 - January 18, 2009: "Modern Masters from the Cleveland Museum of Art" Museu Calouste Gulbenkian, Lisbon (6/18/2009 - 9/6/2009) and the Museo Thyssen-Bornemisza, Madrid (9/28/2009 - 1/10/2010): "Henri Fantin-Latour: Painter of Intimacy (1836-1904)"
The floral still life of roses enlivens the otherwise restrained palette used by the artist in this portrait. By the time he painted Madeleine Escudier Lerolle (1856–1937), wife of artist Henry Lerolle, the French artist Henri Fantin-Latour had established a steady clientele in Britain for his floral still lifes, arranged in modest vases and depicted against a neutral ground; he included such a still life in this portrait. Madeleine Lerolle and her daughter Yvonne are the subjects of another painting at the CMA by Albert Besnard in gallery 219.
Ventes observées: 0 · Ventes comparables: 0 · Provenance: 1 · Expositions: 3.