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Juggler
The Cleveland Museum of Art · Gift of Mr. and Mrs. William E. Ward
Museum

Juggler

c. 1840

Analyse de marché

Les ventes observées, preuves comparables, historiques d’indice et recherches modélisées restent distincts.

Preuves publiques
Dernier prix connu—0 matched observed sales
Médiane observée—
Ventes observées0
Indice d’artiste—
Aucune vente observée normalisée aux droits vérifiés n’est liée à cette œuvre. Aucun historique de prix artificiel n’est affiché.
Indice d’artiste indisponibleAucun calcul public d’indice d’artiste terminé.Le contexte d’un artiste n’est pas une estimation d’œuvre.

Ventes comparables

Ventes publiques du même artiste classées par technique, année de création, dimensions et date de vente.

Classé selon les preuves
Aucune vente comparable aux droits publics ne satisfait les critères actuels. RELICT ne remplit pas le tableau avec des faits réservés à la recherche ou sous licence uniquement.

Provenance

Public
?–1982

William E. Ward [1922–2004] and Ellen Svec Ward [1921–1989], Solon, OH, given to the Cleveland Museu...

1982–

The Cleveland Museum of Art, Cleveland, OH

Texte de provenance source

William E. Ward [1922–2004] and Ellen Svec Ward [1921–1989], Solon, OH, given to the Cleveland Museum of Art The Cleveland Museum of Art, Cleveland, OH

The Cleveland Museum of ArtFiabilité 100%

Expositions

Public
Texte d’exposition source

The Year in Review for 1982. The Cleveland Museum of Art, Cleveland, OH (organizer) (January 5-February 6, 1983). Indian Gallery 242b Rotation – November 2017-April 2018. The Cleveland Museum of Art (organizer) (November 10, 2017-April 16, 2018).

The Cleveland Museum of ArtFiabilité 100%

Vue d’ensemble sourcée Éléments probants

A page from a book of paintings that would have included images of various entertainments in India, this painting is rendered in a European style for British consumption. The label <em>Juggler</em> is written in a Victorian-era hand in the margin below. The main figure is seated on the ground with his knees drawn tightly up under his chin, reinforcing a Western stereotype that all Indian people can do physical feats with their bodies, like yogis. On display are his talents of manipulating balls on a two-stringed bow, called “juggling” by the British owner of the painting for lack of a better moniker. His performance was intended to create a spectacle for entertainment and income. This painting would have been made for sale too, in the new economy under British dominance in which Indian artists made documentary pictures for foreign overlords.

The Cleveland Museum of ArtFiabilité 100%

État des preuves

Ventes observées: 0 · Ventes comparables: 0 · Provenance: 2 · Expositions: 2.

Place Of OriginShort DescriptionProvenance TextExhibition HistoryCredit Line