White-Robed Guanyin

The Cleveland Museum of Art · Purchase from the J. H. Wade Fund

Museum

White-Robed Guanyin

late 1200s–early 1300s

ArtisteJueji Yongzhong (Chinese, active around 1300)

Voir l’artiste →

Technique: hanging scroll; ink on paper
Dimensions: Painting: 78.7 x 31.7 cm (31 x 12 1/2 in.); Overall with knobs: 164 x 38 cm (64 9/16 x 14 15/16 in.)
Classification: Painting
Style: ASIAN - Hanging scroll
Origine: China, Yuan dynasty (1271-1368)
Institution: The Cleveland Museum of Art
Crédit: Purchase from the J. H. Wade Fund

Analyse de marché

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Preuves publiques

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Ventes observées0

Indice d’artiste—

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Ventes comparables

Ventes publiques du même artiste classées par technique, année de création, dimensions et date de vente.

Classé selon les preuves

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Provenance

Public

?–1978

(Yamanaka and Company, Ltd., Kyoto, Japan, sold to the Cleveland Museum of Art)

1978–

The Cleveland Museum of Art, Cleveland, OH

Texte de provenance source

(Yamanaka and Company, Ltd., Kyoto, Japan, sold to the Cleveland Museum of Art) The Cleveland Museum of Art, Cleveland, OH

The Cleveland Museum of ArtFiabilité 100%

Expositions

Public

Highlights of Asian Paintings from The Cleveland Museum of Art

Eight Dynasties of Chinese Painting

Taming Tigers and Releasing Dragons: Masterpieces of Chinese Buddhist Art – Chinese Gallery Rotation 240a, 241c

Texte d’exposition source

Eight Dynasties of Chinese Painting. The Nelson-Atkins Museum of Art (November 7, 1980-January 4, 1981); The Cleveland Museum of Art (February 11-March 29, 1981); Tokyo National Museum (October 4-November 17, 1982); The Asia Society Museum, New York, NY (December 3, 1982-February 28, 1983). Highlights of Asian Paintings from The Cleveland Museum of Art. Nara National Museum (organizer) (February 21-March 29, 1998); Suntory Museum of Art (April 28-June 21, 1998). Taming Tigers and Releasing Dragons: Masterpieces of Chinese Buddhist Art – Chinese Gallery Rotation 240a, 241c. The Cleveland Museum of Art (organizer) (February 8-August 11, 2019). Kannon no kaiga: sono bi to rekishi [觀音の繪畫]. Yamato Bunkakan, Kyoto, Japan (April 25-May 26, 1974). Main Asian Rotation (Gallery 119). The Cleveland Museum of Art, Cleveland, OH (October 29, 2003-March 15, 2004).

The Cleveland Museum of ArtFiabilité 100%

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Vue d’ensemble sourcée Éléments probants

Guanyin, the bodhisattva of infinite compassion (Avalokiteshvara, in Sanskrit), reveals himself in many forms. According to Buddhist belief, one such manifestation is the white-robed Guanyin sitting on a rock on the island of Putuo (Potalaka, in Sanskrit), located along the coast not far from Ningbo, in Zhejiang Province, China.<br><br>Here, the figure was swiftly drawn in only a few ink lines. The inscription above is by Zhongfeng Mingben, perhaps the most widely respected and influential Chan (Zen in Japanese) master in the Yuan dynasty. The artist’s signature is a single line below on the left: <em>Huanzhu Yongzhong</em>.

The Cleveland Museum of ArtFiabilité 100%

État des preuves

Ventes observées: 0 · Ventes comparables: 0 · Provenance: 2 · Expositions: 3.

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