Los hechos de ventas observadas, pruebas comparables, historial del índice y estudios modelados permanecen separados.
Ventas públicas del mismo artista ordenadas por técnica, año de creación, dimensiones y antigüedad de venta.
Ananda K. Coomaraswamy [1877-1947] sold to the Cleveland Museum of Art
The Cleveland Museum of Art, Cleveland, OH
Ananda K. Coomaraswamy [1877-1947] sold to the Cleveland Museum of Art The Cleveland Museum of Art, Cleveland, OH
The Silver Jubilee Exhibition. The Cleveland Museum of Art, Cleveland, OH (organizer) (June 23-September 28, 1941). East Indian Art. The Detroit Institute of Arts, Detroit, MI (organizer) (February 10-March 29, 1942). India's Art. The Cleveland Museum of Art, Cleveland, OH (organizer) (December 2, 1949-January 22, 1950). The Seasons as Represented in Art. The Cleveland Museum of Art, Cleveland, OH (organizer) (June 4-September 9, 1954). Islamic and Indian Miniature Paintings and Manuscripts. The Metropolitan Museum of Art, New York, NY (organizer) (December 19, 1955-February 19, 1956). Masterpieces of Asian Art in American Collections. The Asia Society Museum, New York, NY (organizer) (January 5-February 14, 1960). Rajput Painting. The Asia Society Museum, New York, NY (organizer) (November 30, 1960-January 22, 1961). Dance of the Gods: Indian Art Inspired by Music. The Cleveland Museum of Art, Cleveland, OH (organizer) (September 24-December 8, 1996). Indian Gallery 242 Rotation – April-November 2017. The Cleveland Museum of Art (organizer) (April 10-November 6, 2017). Rajput Painting. Asia House, New York, NY (December 3, 1960-January 22, 1961). Indian Miniature Rotation (Gallery 115). The Cleveland Museum of Art, Cleveland, OH (August 13, 2003-February 18, 2004). Indian Miniature Rotation (Gallery 115). The Cleveland Museum of Art, Cleveland, OH (August 18, 2004-May 23, 2005).
Artista · 1625
Govardhan (Indian, active c.1596–1645) · 1625
Hashim (Indian, active 1598-c.1650) · 1623
Artista · 1630
Artista · 1630
One of the first paintings to be published and exhibited as an example of native Indian court painting without foreign stylistic influence, this work emphasizes the expression of mood and emotion rather than pictorial narrative. Through bold contrasting color, suggestive gaze, and poetic trope, the viewer accesses the charged excitement of lovers about to be united with the coming of the monsoon at night.<br><br>The reclining hero admires the alluring form of his beloved who, startled by the lightning and the cry of the peacock, stops and twists around in a dramatic pause that sets off her figure to especially good effect. She raises one hand to feel the first drops of monsoon rain that signal the beginning of the season of lovemaking, when her lover remains at home.
Ventas observadas: 0 · Ventas comparables: 0 · Procedencia: 2 · Exposiciones: 9.