Ventas comparables
Ventas públicas del mismo artista ordenadas por técnica, año de creación, dimensiones y antigüedad de venta.
Los hechos de ventas observadas, pruebas comparables, historial del índice y estudios modelados permanecen separados.
Ventas públicas del mismo artista ordenadas por técnica, año de creación, dimensiones y antigüedad de venta.
(Galerie Paul Vallotton, Lausanne, Switzerland)
(Galerie Kornfeld, Bern Switzerland, June 18, 2004, lot 150, sold to a private collector)
(sold at Sotheby's, New York, NY, May 30, 2014, lot 11)
(Galerie Berès, Paris, France, at the New York Art Fair, sold to Nancy F. and Joseph P. Keithley)
Nancy F. and Joseph P. Keithley, Cleveland, OH, given to the Cleveland Museum of Art
The Cleveland Museum of Art, Cleveland, OH
(Galerie Paul Vallotton, Lausanne, Switzerland) (Galerie Kornfeld, Bern Switzerland, June 18, 2004, lot 150, sold to a private collector) (sold at Sotheby's, New York, NY, May 30, 2014, lot 11) (Galerie Berès, Paris, France, at the New York Art Fair, sold to Nancy F. and Joseph P. Keithley) Nancy F. and Joseph P. Keithley, Cleveland, OH, given to the Cleveland Museum of Art The Cleveland Museum of Art, Cleveland, OH
Impressionism to Modernism: The Keithley Collection. The Cleveland Museum of Art, Cleveland, OH (organizer) (September 11, 2022-January 8, 2023). Exposition à l'occasion du 60e anniversaire de sa fondation. Galerie Paul Vallotton, Lausanne, Switzerland (1973). Édouard Vuillard. Galerie Paul Vallotton, Lausanne, Switzerland (1989). Maîtres suisses et francais des XIXe et siècles. Galerie Paul Vallotton, Lausanne, Switzerland (1991).
The organic strokes that comprise Vuillard’s trees contrast with the linear divisions of agricultural land. The imagery is reminiscent of a passage written by the artist’s muse, Misia Natanson: “Solemn and dreamy, Vuillard led me along the river, past high silver birch trees. . . . He slowly moved through the yellowed grass. . . . Our silhouettes were just shadows against a pale sky.”
Ventas observadas: 0 · Ventas comparables: 0 · Procedencia: 6 · Exposiciones: 1.