Beobachtete Verkäufe, Vergleichsnachweise, Künstlerindexhistorie und modellierte Forschung bleiben getrennt.
Öffentliche Verkäufe desselben Künstlers, geordnet nach Technik, Entstehungsjahr, Maßen und Aktualität des Verkaufs.
Auguste Coster [d. 1907], Brussels
(Le Roy, Brussels, Coster sale, April 4-6, 1907, lot 69, possibly sold to Max Massot)
Max Massot, Belgium, sold to P. de Boer
(Kunsthandel P. de Boer, Amsterdam, sold to Mrs. Wulf, The Hague)1
Mrs. Wulf, The Hague, exchanged with P. de Boer for a marine painting by J. van Diest
(Kunsthandel P. de Boer, Amsterdam, sold to Johnny Oppenheimer)
Johnny Oppenheimer, Tönnersjö, Eldsberga, Sweden, consigned to Charles Roelofsz Gallery, Amsterdam1
Auguste Coster [d. 1907], Brussels (Le Roy, Brussels, Coster sale, April 4-6, 1907, lot 69, possibly sold to Max Massot) Max Massot, Belgium, sold to P. de Boer (Kunsthandel P. de Boer, Amsterdam, sold to Mrs. Wulf, The Hague)1 Mrs. Wulf, The Hague, exchanged with P. de Boer for a marine painting by J. van Diest (Kunsthandel P. de Boer, Amsterdam, sold to Johnny Oppenheimer) Johnny Oppenheimer, Tönnersjö, Eldsberga, Sweden, consigned to Charles Roelofsz Gallery, Amsterdam1 (Charles Roelofsz Gallery, Amsterdam) (Sam Nijstad, The Hague, and K. Waterman Gallery, Amsterdam, sold to the Cleveland Museum of Art) The Cleveland Museum of Art, Cleveland, OH
The Year in Review for 1987. The Cleveland Museum of Art, Cleveland, OH (organizer) (February 24-April 17, 1988). Still-Life Paintings from the Netherlands, 1550-1720. Rijksmuseum, Amsterdam, Netherlands (June 19-September 19, 1999); The Cleveland Museum of Art, Cleveland, OH (organizer) (October 31, 1999-January 9, 2000). Small Wonders: Dutch Still Lifes by Adriaen Coorte. National Gallery of Art, Landover, MD (organizer) (June 29-September 28, 2003).
Mattia Preti (Italian, 1613–1699) · 1657
Chaïm Soutine (Russian, 1893–1943) · 1923
Angelos Akotantos (Cretan, died 1450) · 1420
Georges de La Tour (French, 1593–1652) · 1645
Gerard ter Borch (Dutch, 1617–1681) · 1650
Coorte worked in Middelburg, a wealthy maritime city in the southern part of the Netherlands that fostered a poetic, scientific, and spiritual examination of the natural world. Gooseberries—a modest, local pleasure—could be picked in the wild, although Dutch gardeners in the 1600s were the first to cultivate them to improve their taste. The strong illumination gives the plant a stark grandeur, despite the small scale, and the dark background emphasizes the fruit's delicate translucency. The dessicated flower petals and waxy leaves contrast with the succulent gooseberries, with their skin on the verge of bursting.
Beobachtete Verkäufe: 0 · Vergleichsverkäufe: 0 · Provenienz: 10 · Ausstellungen: 3.