Beobachtete Verkäufe, Vergleichsnachweise, Künstlerindexhistorie und modellierte Forschung bleiben getrennt.
Öffentliche Verkäufe desselben Künstlers, geordnet nach Technik, Entstehungsjahr, Maßen und Aktualität des Verkaufs.
Camille Barrère (1851-1940), Rome, Italy, by descent to Mme. Albert Cousin
Mme. Albert Cousin (nee Barrère), by descent to Albert Cousin
Albert Cousin
(J. Seligmann & Co., New York, NY, sold to the Cleveland Museum of Art)
The Cleveland Museum of Art, Cleveland, OH
Camille Barrère (1851-1940), Rome, Italy, by descent to Mme. Albert Cousin Mme. Albert Cousin (nee Barrère), by descent to Albert Cousin Albert Cousin (J. Seligmann & Co., New York, NY, sold to the Cleveland Museum of Art) The Cleveland Museum of Art, Cleveland, OH
Year in Review - Nineteen Hundred Sixty. The Cleveland Museum of Art, Cleveland, OH (organizer) (November 30, 1960-January 1, 1961). Draped in Splendor: Renaissance Textiles and the Church. The Cleveland Museum of Art, Cleveland, OH (organizer) (September 7, 2003-September 26, 2004). The Persistence of Geometry: Form, Content and Culture in the Collection of the Cleveland Museum of Art. Museum of Contemporary Art Cleveland (MOCA), Cleveland, OH (June 9-August 20, 2006).
Fundamental to Christian belief, the Holy Trinity refers to the three divine persons in God—God the Father, here depicted wearing a papal tiara, God the Son, crucified on the cross, and the Holy Spirit, represented as a dove. Juxtaposed with the Trinity's austere depiction are cherubim bathed in radiant red light, possibly influenced by stained glass windows that Girardin also designed in Lyon. God the Father wears a liturgical vestment, a sumptuous and bejeweled cope, or cape, fastened below the neck, typically worn by clergy for processional occasions. It is made of opulent crimson velvet with gold thread forming a large pomegranate pattern.
Beobachtete Verkäufe: 0 · Vergleichsverkäufe: 0 · Provenienz: 5 · Ausstellungen: 3.
