Beobachtete Verkäufe, Vergleichsnachweise, Künstlerindexhistorie und modellierte Forschung bleiben getrennt.
Öffentliche Verkäufe desselben Künstlers, geordnet nach Technik, Entstehungsjahr, Maßen und Aktualität des Verkaufs.
(Mathias Komor [1909–1984], New York, NY, sold to the Cleveland Museum of Art)
The Cleveland Museum of Art, Cleveland, OH
(Mathias Komor [1909–1984], New York, NY, sold to the Cleveland Museum of Art) The Cleveland Museum of Art, Cleveland, OH
Year in Review: 1971. The Cleveland Museum of Art, Cleveland, OH (organizer) (December 28, 1971-February 6, 1972). Japanese Screens from the Museum and Cleveland Collections. The Cleveland Museum of Art, Cleveland, OH (organizer) (March 23-May 8, 1977). Byobu: The Art of the Japanese Screen. The Cleveland Museum of Art (organizer) (August 1-October 14, 1984). Byobu: The Art of the Japanese Screen. The Cleveland Museum of Art, Cleveland, OH (organizer) (December 8, 1987-January 10, 1988). Asian Autumn: Splendid Variety: 18th-Century Art in Japan. The Cleveland Museum of Art, Cleveland, OH (organizer) (November 16, 1993-March 6, 1994). Unfolding Beauty: Japanese Screens from the Cleveland Museum of Art. The Cleveland Museum of Art, Cleveland, OH (organizer) (July 15-September 16, 2001). Stories in Japanese Art. The Cleveland Museum of Art, Cleveland, OH (organizer) (October 8, 2021-April 3, 2022).
Matsumura Goshun inscribed passages from Buddhist monk Yoshida Kenkō’s (1283–1350) well-known collection of anecdotes, <em>Essays in Idleness</em>, across the top of each of the twelve panels of this pair of screens. Goshun illustrated the episodes with his vision of the figures who feature in them. The texts cascade down from right to left, forming unique compositional relationships with the images below.
Beobachtete Verkäufe: 0 · Vergleichsverkäufe: 0 · Provenienz: 2 · Ausstellungen: 7.