Beobachtete Verkäufe, Vergleichsnachweise, Künstlerindexhistorie und modellierte Forschung bleiben getrennt.
Öffentliche Verkäufe desselben Künstlers, geordnet nach Technik, Entstehungsjahr, Maßen und Aktualität des Verkaufs.
(N. V. Hammer, Inc., New York, NY, sold to the Cleveland Museum of Art)
The Cleveland Museum of Art, Cleveland, OH
(N. V. Hammer, Inc., New York, NY, sold to the Cleveland Museum of Art) The Cleveland Museum of Art, Cleveland, OH
Year in Review for 1968. The Cleveland Museum of Art, Cleveland, OH (organizer) (January 29-March 9, 1969). Rimpa. Japan Society Gallery, New York, NY (organizer) (September 13-November 13, 1971). Japanese Screens from the Museum and Cleveland Collections. The Cleveland Museum of Art, Cleveland, OH (organizer) (March 23-May 8, 1977). Byobu: The Art of the Japanese Screen. The Cleveland Museum of Art (organizer) (August 1-October 14, 1984). Rimpa Painting. The Cleveland Museum of Art, Cleveland, OH (organizer) (September 19-December 17, 1989). Early Rinpa (Japanese gallery rotation) 235. The Cleveland Museum of Art (organizer) (July 23, 2020-January 17, 2021). Main Asian Rotation (Gallery 121). The Cleveland Museum of Art, Cleveland, OH (March 10-July 16, 2003).
Kitagawa Sōsetsu painted for the Maeda family, powerful rulers of what is present-day Ishikawa Prefecture on the central northern coast of Honshū, Japan’s main island. Screens served as room dividers and backdrops in Maeda grand residences. This composition is considered one of the artist’s masterpieces. Kitagawa Sōsetsu is thought to have been a student of Tawaraya Sōsetsu, who was in turn the student of Tawaraya Sōtatsu the Kyoto-based master painter regarded as the creator of the style that came to be known as Rinpa. By selecting a painter of this lineage, the Maeda family consciously connected their aesthetics to those of the imperial capital as a means of proclaiming their elevated status.
Beobachtete Verkäufe: 0 · Vergleichsverkäufe: 0 · Provenienz: 2 · Ausstellungen: 6.