Vergleichsverkäufe
Öffentliche Verkäufe desselben Künstlers, geordnet nach Technik, Entstehungsjahr, Maßen und Aktualität des Verkaufs.
Beobachtete Verkäufe, Vergleichsnachweise, Künstlerindexhistorie und modellierte Forschung bleiben getrennt.
Öffentliche Verkäufe desselben Künstlers, geordnet nach Technik, Entstehungsjahr, Maßen und Aktualität des Verkaufs.
(Howard C. Hollis and Company, Cleveland, OH, sold to Mr. and Mrs. Herbert F. Leisy)
Mr. Herbert F. Leisy [1900-1977] and Mrs. Helen Stamp Leisy [1906-1975], Cleveland, OH, bequest to t...
The Cleveland Museum of Art, Cleveland, OH
(Howard C. Hollis and Company, Cleveland, OH, sold to Mr. and Mrs. Herbert F. Leisy) Mr. Herbert F. Leisy [1900-1977] and Mrs. Helen Stamp Leisy [1906-1975], Cleveland, OH, bequest to the Cleveland Museum of Art The Cleveland Museum of Art, Cleveland, OH
Eight Dynasties of Chinese Painting. The Nelson-Atkins Museum of Art (November 7, 1980-January 4, 1981); The Cleveland Museum of Art (February 11-March 29, 1981); Tokyo National Museum (October 4-November 17, 1982). Layers of Meaning: China’s Flora and Fauna in Painting and on Porcelain. The Cleveland Museum of Art, Cleveland, OH (organizer) (November 6, 2020-June 6, 2021).
Four fish of various sizes are swimming among aquatic plants. Like in other paintings, the existence of water is suggested in the harmonious movement of the fish and plants. In Chinese, the word for fish (<em>yu</em>) is a homophone for “abundance” and thus the motif has an auspicious connotation. <br><br>The painter uses the so-called boneless technique without outlines to shade and texture the bodies of the fish. The smooth transition from dark shades on their backs to their white bellies and the thin transparent fins and tails in light washes accentuated by gills and scales are all executed without contour lines.
Beobachtete Verkäufe: 0 · Vergleichsverkäufe: 0 · Provenienz: 3 · Ausstellungen: 2.